Anthony Chrisp

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Bob Marley aparece con los ojos cerrados, una delgada cinta de humo serpenteando frente a su rostro y sus dreadlocks brillando en los bordes, como si estuviera capturado en medio de una inspiración en lugar de una pose. En esta obra ese aliento se convierte en la imagen completa. El humo es el hilo más brillante de la composición, un campo de finas rayas que gira en espiral hacia arriba, y dirige la mirada hacia un rostro construido de la misma manera, a partir de un daño superficial controlado más que de sombreado o línea.

Bob Marley appears with his eyes closed, a thin ribbon of smoke curling past his face and his dreadlocks catching light at their edges, as if caught mid breath rather than mid pose. In this work that breath becomes the whole image. The smoke is the brightest thread in the composition, a field of fine scratches spiraling upward, and it draws the eye down into a face that is built the same way, out of controlled surface damage rather than shading or line.

The background stays pure, untouched black, so the face and the locks seem to rise out of nothing, formed only where the surface has been worked. Seen from across a room the portrait reads as one calm, monumental presence. Step closer and that presence resolves into a field of individual marks, each one small and deliberate, none of them telling the story alone.

No paint. No print. No ink. The image is scratched into the surface of the acrylic glass, present at every hour of the day, in every kind of light. Light does not create this portrait, it sharpens what is already there, deepening the contrast between the glowing locks and the dark that holds them, so the work reads differently as you move past it without ever losing the face at its center.

Marley closed his eyes often on stage, mid phrase, mid smile, as if listening inward as much as performing outward. This piece holds that same closed eyed stillness, smoke rising like a held note, a soft smile arriving before the sound of it. It feels less like a portrait of a famous face and more like a portrait of a private moment that happened to be witnessed.

Marley Rising Through Smoke continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure. This work is unique.

"Some smoke rises and is gone. Some stays long enough to become a portrait."

About Art with Scratch

Art with Scratch is a body of work in which the image is not drawn, but released. Carved line by line into a deep black surface, each work emerges through countless precise scratches that catch the light and bring form out of darkness.

From a distance, the image appears almost photographic. Powerful, recognisable and full of presence. Yet up close, the work dissolves into a dense field of individual marks. Fine, fragile and almost weightless. What seemed solid reveals itself as a delicate web of lines, each one a deliberate gesture, each one essential to the whole.

Light does not create the image. It sharpens it. The black surface absorbs, while the scratched lines reflect. As light shifts across the surface, the image breathes. From one angle the figure stands clear and defined. From another it softens and settles back toward the darkness from which it came, without ever disappearing. Under a focused spotlight, the contrast deepens and the image takes on a sculptural, almost luminous quality.

What makes this medium so compelling is its quiet tension. The act of scratching is direct and irreversible. Every line is a decision that cannot be undone. Yet the result is not harsh. It is intimate, atmospheric and alive with movement. Hardness becomes softness. Destruction becomes creation. Absence becomes presence.

In works such as this portrait, the figure is never fully fixed. Through the interplay of line, light and shadow, the image shifts with perspective and atmosphere. At certain moments, the subject seems to step forward out of the black. At others, it settles back into stillness. It is within that movement, between sharpness and calm, that the work comes alive.

Like all materials touched by time, the surface carries its own quiet life. Each scratch holds a moment, a breath, a gesture. Together they form not just an image, but a presence, one that continues to reveal itself with every change of light.

About the Artist

My name is Tijs Dragtsma, founder of TD Fine Art Studio.

As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together.

My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create.

Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence.

I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time.

TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.

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Tijs Dragtsma (1992) - Marley Rising Through Smoke

Técnica mixta - Firmado - 2026

Países Bajos

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Tijs Dragtsma presenta Marley Rising Through Smoke, una original de mezcla 51 × 51 cm, firmada, en excelente estado, 2026, Países Bajos, vendida con marco.

Tijs Dragtsma (1992) - Marley Rising Through Smoke

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Tijs Dragtsma presenta Marley Rising Through Smoke, una original de mezcla 51 × 51 cm, firmada, en excelente estado, 2026, Países Bajos, vendida con marco.

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