Arte

Decorazioni d'interni

Gioielli e pietre preziose

Orologi da polso, penne e accendini

Moda

Monete e francobolli

Fumetti e animazione

Auto d’epoca, moto d’epoca e automobilia

Vino, whisky e liquori

Arte asiatica e tribale

Carte collezionabili

Giocattoli e modellini

Archeologia e storia naturale

Sport

Musica, film e fotocamere

Libri e cimeli storici

Gli oggetti più raffinati scelti per te da {name}

Aude Fonlupt

René SAUTIN (1881-1968)

Saint Germain Village, Ca. 1940

Oil on cardstock
Size: 26.5 x 34.5 cm
Signed at the bottom left
In very good condition, recently cleaned. 
Frame size: 36 x 44 cm.

The painting will be listed in the catalogue raisonné of the artist's work currently in preparation.

Artwork sold with invoice and certificate of authenticity
Fast and careful shipping 

René Sautin (1881-1968) was born in Montfort-sur-Risle in 1881.
He attended the Beaux-Arts of Rouen in the painting studio of painter P. Zacharie, then in Paris in the Ferrier studio where he was mentored by Albert Lebourg, born in the same village. He then joined the Independents with Signac and Luce.
He married Marthe in 1910, settled in Les Andelys in 1911 and became friends with the Pissarro sons, Signac, Luce, Derain, Guillaumin, Lebasque, Bigot and Gernez, who gathered in Les Andelys to paint on the banks of the Seine.
Immersed in his Norman homeland, René Sautin will essentially be a landscaper. Around 1923, he abandoned Impressionist painting for a quiet and well-reasoned fauvism.
The painter, having found balance in his means of expression from 1925, reached his plenitude in the 1950s. He is one of the few Norman painters to describe these landscapes in such a personal way by their power, a certain controlled violence, a strong sensitivity.
A proud, distinguished, highly educated man, he suffered greatly from not being understood during his lifetime and regretted this isolation: ‘My life has often been hard and difficult...’
René Sautin was born in the same village as famous painter Albert Lebourg, in Montfort-sur-Risle. But he will spend most of his life in Les Andelys.
After primary and secondary studies in Montfort-sur-Risle and Pont-Audemer, René Sautin immediately moved on to drawing: ‘My studies completed, with a classical background, I entered the School of Fine Arts in Rouen in the studio of painter Philippe Zacharie, a distinguished master for whom drawing was a precious metal. Then I went to Paris where I spent a year in the Ferrier workshop... and I went into painting with some good friends, listening to the advice of painter Albert Lebourg.’
René Sautin left the capital in 1911 to settle in Les Andelys with his wife Marthe.
The first period of his work was greatly influenced by Albert Lebourg, but soon his temperament attracted him to Fauve painting with calm and well-reasoned colours. He himself said of his painting: "Painting, in essence, is spreading material, not rubbing. From there I paint with thick material, without rubbing, each stroke being final. I never come back to the tone once the material is down. This gives great power to my painting and a lot of character. What the heck! Nature is asserted. What makes the beauty of a tone is its bold and rich colour. The whole art of painting lies in doing or interpreting what one feels, what one sees, everything else is snobbery. Painting is to externalize one's temperament. It is an interpretation of one’s thinking that is passed on to others.’
The period of World War II deeply upset the artist, because undoubtedly René Sautin was a true lover of Les Andelys. He never ceased to paint the Seine, the quays of the Petit-Andely and the Gaillard castle. He very often painted in the same places, but each time he created a new work.
Then, on 8th June 1940, the Germans bombed the city of Les Andelys. We then discover that ninety percent of the city had been destroyed. Churches were spared as well as a few houses, but the entire city centre had disappeared under the shelling of explosive and incendiary bombs.
During this period, artists lost the desire to paint. Nevertheless, in the aftermath of the bombings, René Sautin made a series of watercolours, as if he wished to preserve a testimony, for future generations, of the apocalyptic vision of the city.
From then on, his work changed. His drawing was more marked, surrounded with black.
On the Seine, the barges have the tricolour bulwark. In the 1950s, René Sautin continued this tendency to emphasize his drawing. Unfortunately, he was gradually losing his sight. The artist compensates for his loss of vision with more and more violent and vivid colours. He stopped painting for good in 1964, four years before his death

Olio su pannello - Firmato a mano

René Sautin (1881-1968) - Saint Germain Village

Antiquariato e mobili classici

Prezzo di riserva

Nessun prezzo di riserva

Acquista subito

Data di chiusura

domenica

mercoledì

sabato

venerdì

giovedì

domani

6 aprile

Budget

Ubicazione

Italia

Paesi Bassi

Francia

Belgio

Spagna

Germania

Polonia

Portogallo

Lettonia

Romania

Regno Unito

Ungheria

Austria

Svezia

Bulgaria

Svizzera

Estonia

Danimarca

Giappone

Grecia

Stati Uniti

Andorra

Cipro

Croazia

Isole Canarie

Dimensioni

Altezza

Larghezza

Profondità

Marchio

Val Saint Lambert

WMF / Geislingen

Max le Verrier

Jaeger-LeCoultre

Thonet

Kayserzinn

Moser & Söhne

Baccarat

Daum Frères

Degué

Keramis Boch

Glasfabriek Leerdam

Plateelbakkerij Zuid-Holland

Emile Gallé

Richard Ginori

Sarreguemines

Verreries Schneider

Christofle

Kralik

Longwy

Muller Frères

Orivit

Susse Frères bronsgieterij

Saint Clement

Oggetto

Scultura

Icona

Vaso

Orologio da mensola

Orologio da tavolo o da parete

Cornice

Sedia

Orologio da parete

Oggetti religiosi e spirituali

Ornamento decorativo

Specchio

Tavolo

Mobiletto

Candeliere

Lampadario

Reliquiario

Applique da parete

Decanter

Statua

Scatola

Lampada a sospensione

Comodino

Orologi da tavolo/scrivania

Tavolino di servizio

Paese d’origine

Russia

Europa

Repubblica Ceca

Sconosciuto

Asia

Turchia

Irlanda

Norvegia

Materiale

Legno

Ottone

Bronzo

Vetro

Metallo

Marmo

Argento

Bronzo dorato

Quercia

Placcato argento

Cristallo

Noce

Rame

Ferro

Mogano

Tessuto

Porcellana

Ceramica

Acciaio

Ottone dorato

Carta

Bronzo patinato

Terracotta

Spelter

Lega

Genere

Donna

Unisex

Uomo

Condizioni

In buone condizioni - usato, con piccoli segni dell’età e macchie.

In buone condizioni - usato, con piccoli segni dell’età.

In ottime condizioni - usato raramente e con lievi segni di usura e dell’età.

In condizioni discrete - molto usato e con probabili piccoli pezzi mancanti.

Buone condizioni

Come nuovo - mai usata

Eccellenti condizioni

Ottime condizioni - leggermente usato con piccoli segni di usura

Discrete condizioni

Buone

Eccellenti condizioni - usato raramente con minimi segni di usura

In cattivo stato - molto usato, con ampie crepe, danni o grandi pezzi mancanti.

Buone condizioni - usato con alcuni segni di usura

Molto buone

Buono – visibili segni di usura

Condizioni discrete

Funzionante con visibili tracce d’uso

In pessime condizioni - mostra decadimento significativo, perdita della consistenza originale o della solidità del materiale.

Restauro necessario

Buone condizioni, usato con qualche segno di usura

In condizioni molto usate, utilizzato e con visibili tracce di usura

Discreto – notevoli segni di usura

Molto buono – minimi segni di usura

Come nuovo

Ottime condizioni, leggermente usato con piccoli segni di usura

Periodo

1850-1900

1920-1930

1900-1910

1930-1940

1910-1920

1800-1850

1950-1960

1940-1950

1960-1970

1750-1800

1970-1980

1980-1990

1990-2000

1700-1750

1650-1700

2020+

2000-2010

XVII secolo

XIX secolo

XVIII secolo

1600-1650

Antiquariato e mobili classici

Questo oggetto non è più disponibile, ma c’è ancora tanto da scoprire

René Sautin (1881-1968) - Saint Germain Village

Popolari in Antiquariato e mobili classici

2391 oggetti

Collezioni affini