N. 103611900

Inna Etuvgi - Chamber - Catawiki Edition 1/25
N. 103611900

Inna Etuvgi - Chamber - Catawiki Edition 1/25
CHAMBER
Fine art photography print by Inna Etuvgi
The seed chamber of a poppy, encircled by delicate stamens, reveals the quiet geometry of an organic temple. A hidden architecture where the code of life resides — quiet, geometric, and self-contained.
* Part of the "Portraits of the Spring—The Message of Beauty" collection - an exploration dedicated to capturing the unique soul and character of each flower.
EDITIONS:
This work is presented in a Special Collector’s Configuration (40x32 cm image on 43x36 cm paper). While the artist’s larger-scale Master Editions are represented in premier online galleries, this specific size is part of a curated series designed to make museum-grade photography accessible for versatile interior spaces. Produced to the highest archival standards, this configuration is available exclusively through the artist’s studio or via selected auction releases. It is not offered through other galleries or platforms in this specific size.
ABOUT THE PRINT:
Type: Original Fine Art Print (Macro Photography)
Image Size: 40 x 32 cm
Paper Size: 43 x 34 cm
Paper: Archival Museum-quality paper, 100% cotton, 300gsm
Edition: 1/25
Authenticity: Signed and numbered by the artist; includes a Certificate of Authenticity.
Condition: New, shipped directly from the artist's studio in Sweden.
ABOUT THE ARTIST
Inna Etuvgi is a Swedish-Chukchi art photographer and digital artist, internationally recognised as an Arte Laguna Prize finalist (Venice) and a recipient of the Swedish Arts Grants Committee grant. Born in a remote Arctic village in Chukotka and trained in technical cybernetics, she began her artistic practice in 2020 and has since exhibited across Europe — in Venice, London, Barcelona, Palermo, and San Marino.
Etuvgi lives with aphantasia — she cannot see images in her mind. Her camera and AI serve as extensions of her visual imagination, allowing her to create what she cannot picture internally. Through macro photography she enters the hidden worlds of mosses, lichens, and dewdrops; through digital art she gives form to psychological states and inner archetypes. Both are rooted in a deep sensitivity shaped by her Chukchi upbringing — an instinct to feel into every living thing.
As art critic Tabish Khan notes: "Her work transports us to other worlds — both real and imaginary, but always in harmony with nature."
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