N. 105383251

Venduto
Matsutaka Zu (松鷹図 / Pine Tree and Eagle) - Kanō Tanyū (狩野探幽) - Giappone  (Senza prezzo di riserva)
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€ 1
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Matsutaka Zu (松鷹図 / Pine Tree and Eagle) - Kanō Tanyū (狩野探幽) - Giappone (Senza prezzo di riserva)

Title: Matsutaka Zu (松鷹図 / Pine Tree and Eagle) Original Artist: Kanō Tanyū (狩野探幽), Grand Master of the Kanō School (狩野派) Print Technique: Traditional Japanese Woodblock Print Paper Size: 50 × 40.5 cm (19.69 × 15.94 in) Image Size: 45 × 36.8 cm (17.72 × 14.49 in) Portfolio Case Size: 58.5 × 46.5 cm (23.03 × 18.31 in) Material: Thick gold-ground Japanese Washi paper (和紙), backed with genuine gold leaf (金箔) Carver: Sugiya Sadao (植谷貞雄) Printer: Yoneda Zōzō (米田蔵造) Reproduction Publisher: Kyoto Tanseisha (丹青社) Accessories: Original yellow titled storage sleeve, green series outer cover, explanatory booklet authored by Nakamura Keinan (中村溪男), Senior Researcher at Tokyo National Museum This woodblock print *Matsutaka Zu (松鷹図)* is part of a full-scale antique painting reproduction series published by Kyoto Tanseisha (丹青社) during the Shōwa 50s (昭和 50 年代,1970–1979). It is the 3rd release from the collection *Kanō-ha & Rinpa Kyoshō Sen (狩野派・琳派巨匠撰)*, reproduced after the original wall screen painting created by Kanō Tanyū (狩野探幽) for Nijō Castle (二条城). The original work was an official screen painting commissioned by the Tokugawa shogunate, completed in the 3rd year of the Kan'ei era (宽永三年,1626). It is a representative auspicious kachō-e (花鳥絵) bridging the Momoyama and early Edo periods. The artwork features a full grid gold leaf background, with an aged, gnarled pine tree stretching horizontally across the composition. A fierce eagle perches firmly on the rugged trunk; its layered plumage, sharp talons and piercing gaze are rendered with meticulous detail. Dense clusters of delicate green pine needles fill the foreground. Pine trees and eagles are classic auspicious motifs in Japanese art, symbolizing lofty aspirations, dignity, honour and longevity. The original painting once decorated the grand audience hall of Nijō Castle, standing as a vital artistic emblem of the Tokugawa samurai regime’s authority. This facsimile was produced using the traditional multi-block woodblock printing method. Separate woodblocks were carved for the gold ground, sumi ink, emerald green and sepia brown layers. The master blocks were cut by professional carver Sugiya Sadao (植谷貞雄), with all hand printing completed by master printer Yoneda Zōzō (米田蔵造). The print faithfully recreates Kanō Tanyū’s bold, weighty brushwork characteristic of samurai-period painting, with highly precise replication of fine pine needle linework, layered eagle feathers and weathered pine bark texture. The warm, lustrous gold leaf backdrop fully captures the solemn, opulent atmosphere of original Edo-period palace screen paintings. Vertical lettering reading *Tanseisha Ban (丹青社版)*, alongside the names of the carver and printer, is printed along the left margin of the print. The complete set includes the original yellow titled storage sleeve, green series outer cover, and an official explanatory booklet authored by Nakamura Keinan (中村溪男), Senior Researcher at Tokyo National Museum. The booklet records full historical context, creation background and symbolic meaning of the original painting, offering complete traceable provenance for this reproduction. Tanseisha (丹青社) is a long-established Kyoto workshop specialising in authentic woodblock reproductions of Japan’s National Treasures and Important Cultural Properties, widely recognised as a leading producer of high-fidelity antique art facsimiles across Japan. Minor natural toning and light age discoloration consistent with decades of storage can be seen on the print and all accompanying portfolio components. There are no folds, tears or colour fading; overall condition is excellent for its age. Shipping Notice Due to postal service adjustments, Taiwan Post EMS will suspend parcel deliveries to the below regions effective March 10, 2026: United Arab Emirates, Bahrain, Israel, Pakistan, Maldives, Qatar, Saudi Arabia, Azerbaijan, Oman, Kuwait, Jordan, Lebanon, Greece, Egypt, Morocco. Bidders based in the listed areas are kindly asked not to place bids. Additional note: Delivery to Italy takes roughly 6–7 days. Customs or courier staff may contact you to complete clearance procedures. Please reply promptly, as delayed responses may lead to the package being returned to sender. You may speed up the clearance process by contacting the customs office directly via: dogane.malpensa.urp@agenziadogane.it Thank you for your understanding and cooperation. - The photographs form part of the item description. The actual colour of the print may differ slightly from the photos due to camera hardware and screen display settings. - The winning bidder shall bear all applicable customs duties and import taxes. - This item will be shipped via insured international airmail service provided by Taiwan Post.

N. 105383251

Venduto
Matsutaka Zu (松鷹図 / Pine Tree and Eagle) - Kanō Tanyū (狩野探幽) - Giappone  (Senza prezzo di riserva)

Matsutaka Zu (松鷹図 / Pine Tree and Eagle) - Kanō Tanyū (狩野探幽) - Giappone (Senza prezzo di riserva)

Title: Matsutaka Zu (松鷹図 / Pine Tree and Eagle)
Original Artist: Kanō Tanyū (狩野探幽), Grand Master of the Kanō School (狩野派)
Print Technique: Traditional Japanese Woodblock Print
Paper Size: 50 × 40.5 cm (19.69 × 15.94 in)
Image Size: 45 × 36.8 cm (17.72 × 14.49 in)
Portfolio Case Size: 58.5 × 46.5 cm (23.03 × 18.31 in)
Material: Thick gold-ground Japanese Washi paper (和紙), backed with genuine gold leaf (金箔)
Carver: Sugiya Sadao (植谷貞雄)
Printer: Yoneda Zōzō (米田蔵造)
Reproduction Publisher: Kyoto Tanseisha (丹青社)
Accessories: Original yellow titled storage sleeve, green series outer cover, explanatory booklet authored by Nakamura Keinan (中村溪男), Senior Researcher at Tokyo National Museum

This woodblock print *Matsutaka Zu (松鷹図)* is part of a full-scale antique painting reproduction series published by Kyoto Tanseisha (丹青社) during the Shōwa 50s (昭和 50 年代,1970–1979). It is the 3rd release from the collection *Kanō-ha & Rinpa Kyoshō Sen (狩野派・琳派巨匠撰)*, reproduced after the original wall screen painting created by Kanō Tanyū (狩野探幽) for Nijō Castle (二条城).

The original work was an official screen painting commissioned by the Tokugawa shogunate, completed in the 3rd year of the Kan'ei era (宽永三年,1626). It is a representative auspicious kachō-e (花鳥絵) bridging the Momoyama and early Edo periods.

The artwork features a full grid gold leaf background, with an aged, gnarled pine tree stretching horizontally across the composition. A fierce eagle perches firmly on the rugged trunk; its layered plumage, sharp talons and piercing gaze are rendered with meticulous detail. Dense clusters of delicate green pine needles fill the foreground.

Pine trees and eagles are classic auspicious motifs in Japanese art, symbolizing lofty aspirations, dignity, honour and longevity. The original painting once decorated the grand audience hall of Nijō Castle, standing as a vital artistic emblem of the Tokugawa samurai regime’s authority.

This facsimile was produced using the traditional multi-block woodblock printing method. Separate woodblocks were carved for the gold ground, sumi ink, emerald green and sepia brown layers. The master blocks were cut by professional carver Sugiya Sadao (植谷貞雄), with all hand printing completed by master printer Yoneda Zōzō (米田蔵造). The print faithfully recreates Kanō Tanyū’s bold, weighty brushwork characteristic of samurai-period painting, with highly precise replication of fine pine needle linework, layered eagle feathers and weathered pine bark texture. The warm, lustrous gold leaf backdrop fully captures the solemn, opulent atmosphere of original Edo-period palace screen paintings.

Vertical lettering reading *Tanseisha Ban (丹青社版)*, alongside the names of the carver and printer, is printed along the left margin of the print. The complete set includes the original yellow titled storage sleeve, green series outer cover, and an official explanatory booklet authored by Nakamura Keinan (中村溪男), Senior Researcher at Tokyo National Museum. The booklet records full historical context, creation background and symbolic meaning of the original painting, offering complete traceable provenance for this reproduction.

Tanseisha (丹青社) is a long-established Kyoto workshop specialising in authentic woodblock reproductions of Japan’s National Treasures and Important Cultural Properties, widely recognised as a leading producer of high-fidelity antique art facsimiles across Japan.

Minor natural toning and light age discoloration consistent with decades of storage can be seen on the print and all accompanying portfolio components. There are no folds, tears or colour fading; overall condition is excellent for its age.

Shipping Notice
Due to postal service adjustments, Taiwan Post EMS will suspend parcel deliveries to the below regions effective March 10, 2026:
United Arab Emirates, Bahrain, Israel, Pakistan, Maldives, Qatar, Saudi Arabia, Azerbaijan, Oman, Kuwait, Jordan, Lebanon, Greece, Egypt, Morocco.
Bidders based in the listed areas are kindly asked not to place bids.

Additional note: Delivery to Italy takes roughly 6–7 days.
Customs or courier staff may contact you to complete clearance procedures. Please reply promptly, as delayed responses may lead to the package being returned to sender.
You may speed up the clearance process by contacting the customs office directly via:
dogane.malpensa.urp@agenziadogane.it
Thank you for your understanding and cooperation.

- The photographs form part of the item description. The actual colour of the print may differ slightly from the photos due to camera hardware and screen display settings.
- The winning bidder shall bear all applicable customs duties and import taxes.
- This item will be shipped via insured international airmail service provided by Taiwan Post.

Offerta finale
€ 1
Senza prezzo di riserva

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