N. 99259165

After Wassily Kandinsky (1866-1944) - Black Dash, 1920, Canvas
N. 99259165

After Wassily Kandinsky (1866-1944) - Black Dash, 1920, Canvas
54,7 x 70,2 cm
All the LITO artworks that are made on Canvas - will need up to 30 days for shipping.
Hi-Rnd print on canvas, framed
Technique: LITO HI-RND print on paper.
Museum certified, Certificate of Authenticity.
Alu-Framed.
This limited edition print was created in collaboration with the Museum, based on a scan of the original artwork. All our products are custom-made in our factory in Bregenz, Austria, and feature our patented LITO Hi-Rnd technology.
Limited edition of 150
Provenance:
Georgian National Museum, Tbilisi, Georgia
Delivery in around 10 days
About LITO:
Who we are
Founded in 2022, LITO is a forward-thinking printmaking company on a mission to widen access to art through new, pioneering technologies.
Based in Bregenz, Austria, LITO and the LITO Technology Lab have developed state-of-the-art and patented technology to create prints with extreme precision and of unparalleled quality. Using its Hi-Rnd proprietary technology, LITO collaborates with leading contemporary artists and prints textures, colours and certain effects on paintings, such as reliefs and brushstrokes at multiple scales, to create and recreate original artworks.
LITO Masters aims to support leading museums and institutions around the world by providing a new tool for research and the conservation of masterpieces, whilst allowing art lovers to live with their dream masterpiece.
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At first glance, "Black Dash" appears to be an exercise of pure abstraction. But on closer inspection, it seems to have something of the city about it. Those dominant grey tones, with their darker blotches and fringes, recall the pavements and granite facades of Saint Petersburg or Moscow – as if Kandinsky were painting a memory of the country that he had left behind.
The yellow forms could be read as glowing neon streetlamps; the blue and the parallel waves as slow-moving rivers encased in manmade embankments. As for the black dash itself – the jagged shape at the centre of the painting – it looks like a crack in the architecture of the composition, an unmendable fissure.
The overall effect of the work is layered and complex, like a modernist symphony. As Kandinsky himself wrote: ‘Form itself, even if completely abstract, has its own inner sound.’
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