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De flotteste objekter gitt til deg av  {name}

Tom Hopman

1.
NEW SONGS ON ANCIENT TUNES
19th-20th Century Chinese Paintings and Calligraphy from the Richard Fabian Collection
Essays by Jonathan Spence, Chu-tsung Li, Stephen Little, and Qianshen Bai, and catalogue entries by Little, Rachel Farkas, Janet Carpenter, and Bruce McCLaren.
Honolulu Academy of Arts, Paperback, 29.5 x 23 x 5 cm. 639 pages, selected Chinese and Japanese Names and terms, Bibliography, Index. ISBN 978-0-937426-80-7
New Songs on Ancient Tunes presents a sweeping selection of almost 400 Chinese paintings and calligraphies from the turbulent century between 1850 and 1950. Drawn entirely from the private San Francisco collection of the Reverend Richard Fabian, the works span the years between the Opium War and the Cultural Revolution. The book includes a survey of the bold style of the late nineteenth-century Shanghai School, as contrasted with the conservative artists of the late Qing dynasty Orthodox School, and examines the impact on artists of the new urban (and international) culture of Shanghai, and interactions with Western and Japanese art. The book also explores the influence of Chinese archaeology on late Qing dynasty calligraphy and in turn, the influence of new styles of calligraphy on painting.Focusing on superb works by the leading artists of the late nineteenth and early twentieth centuries, New Songs on Ancient Tunes includes the painters Ren Bonian, Xugu, Zhao Zhiqian, Wu Changshi. Fu Baoshi, Qi Baishi, Xu Beihong, and Zhang Daqian, and the calligraphers Deng Shiru, Yi Bingshou, He Shaoji, and Wu Dacheng. 

II.
PAINTING AND PRIVATE LIFE IN ELEVENTH-CENTURY CHINA: Mountain Villa by Li Gonglin
Robert E. Harrist, Jr.
Princeton University Press, 1998, Hardback with dustjacket, 25 x 18.5 cm., 164 pages text and 72 pages with illustrations, Notes, Bibliography, Glossary of Chinese Characters, Index, As new

III.
THE PAINTER' S PRACTICE. How artists lived and worked in traditional China.
James Cahill
Columbia University Press, New York 1994, paperback, 27 x 20 cm., 185 pages, 125 illustrations, Notes, Bibliography (Works in English), Index. As new.

IV. 
AN INDEX OF EARLY CHINESE PAINTERS AND PAINTINGS. T' ang, Sung, and Yuan.
James Cahill incorporating the work of Osvald Siren and EllenJohnston Laing.
Floating World Editions, 2003, Paperback, First print thus. Book was first printed in 1980 by The University of California Press, Berkeley and Los Angeles, Bibliography and Abbreviations. As new

V.
ISSUES OF AUTHENTICITY IN CHINESE PAINTING
Judith G. Smith / Wen C. Fong
Metropolitan Museum of Art, New York 1999, First print, paperback, 317 pages, 26 x 21 cm.,Glossary
Twelve essays by twelve experts, with 124 images of paintings interspersed with the texts. Each essay is accompanied by notes. As new

VI.
THE CHINESE PAINTER AS POET
Jonathan Chaves
China Institute Gallery, New York 2000, Paperback, 27 x 20.5 cm.,159 pages, 54 illustrations, Appendices
Selected Chinese Characters, Notes, Chronology, Bibliography

VII
HOW TO READ CHINESE PAINTINGS
Maxwell K. Hearn
The Metropolitan Museum of Art, Yale University Press 2008, Paperback, 29.5 x 22.5 cm., 174 pages, illustrated in colour with 289 illustrations, Notes, Further reading. As new

VIII

CHINESE PAINTING
Lin Ci
Cambridge University Press, 2011, Paperback, 174 pages, 117 illustrations, ISBN 9780521186636

VIII
ALONG THE RIVERBANK. CHINESE PAINTINGS FROM THE C.C. WANG FAMILY COLLECTION
Maxwell K. Hearn / Wen C. Fong
The Metropolitan Museum of Art, New York / Harry N. Abrams, New York 1999
Hardcover with dustjacket, 30 x 22.5 cm., 174 pages, illustrated with 160 illustrations, Bibliography, Index.
This publication celebrates the promised gift to The Metropolitan Museum of Art from the Oscar Tang family of twelve major works from the C. C. Wang Family Collection, one of the great private collections of Chinese old master paintings to be assembled in the twentieth century. Ranging in date from the tenth to the early eighteenth century, these works significantly extend the Museum's holdings and reveal those areas of Chinese painting of particular interest to Mr. Wang. An accomplished artist, Ch'i-Ch'ien Wang, a resident of New York City since 1949, began collecting paintings in Shanghai more than seventy years ago. Works from his collection, long known to Western scholars and connoisseurs, are now in many American public institutions and universities. The Metropolitan owns some sixty works formerly in this collection, the twelve presented here constituting the most recent addition to the Museum's holdings from this source. Along the Riverbank is published on the occasion of the exhibition "The Artist as Collector: Masterpieces of Chinese Paintings from the C. C. Wang Family Collection," which includes most of the works acquired by the Museum from Mr. Wang since 1973.

IX
Chinese Calligraphy  (The Culture & Civilization of China)
Ouyang, Zhongshi, Fong, Wen C.
Yale University Press, 2008, Hardcover with dustjacket, 30 x 22.5 x 4 cm., 511 pages, 600 illustrations, Chronology, Emperors of the Song, Yuan, Ming and Qing Dynasties, Map of China, Notes, Further Readings, Illustration Credits, Index, 2.7 kilo
The book begins with the premise that the history of Chinese script writing represents the core development of the history of Chinese culture and civilization. Tracing the development of calligraphic criticism from the second century to the twenty-first, the fourteen contributors to the volume offer a well-balanced and readable account of this tradition. With more than 600 illustrations, including examples of extremely rare Chinese calligraphy from all over the world, and an informative prologue  by Wen C. Fong, this book will make a welcome addition to the library of every Western reader interested in China and its premiere art form. As new

X.
The Art of Calligraphy in Modern China
Gordon S. Barrass
University of California, 2002, Hardcover with dustjacket, 288 pages, 28.5 x 22.5 x 2.7 cm., 158 illustrations, Chinese transcriptions of calligraphy, Bibliography, Chinese Bibliography, Index

XI.
THE SUBTLE ART OF DISSENT. Poetry and painting in Song China
Alfreda Murck
Harvard University Asia Centre for the Harvard -Yenching Institute, 2000, Monograph Series, 50, Paperback, 26.5 x 20.5, 406 pages, Illustrated with 44 figures, Notes, Bibliography, Character List, Index

XII
SCENES ALONG THE RIVER DURING THE QINGMING FESTVAL Festival:  QINGMING SHANG HE TU
Zhang Zeduan
Shanghai Books, 2008, 25.5 x 37 cm,  143 illustrations, Leporello book, ISBN 978-1-60220-003-6 As new

XIII
CULTIVATED LANDSCAPES. Chinese Paintings from the Collection of Marie-Helene and Guy Weill
Maxwell K. Hearn
The Metropolitan Museum of Art, New York / Yale University Press, New Haven and London, 2007, second printing, Hardcover with dustjacket, 30 x 22.5 cm., 204 pages, Bibliography, Index.
This catalogue represents an association between The Metropolitan Museum of Art and collectors Marie-HTlFne and Guy Weill. It presents 12 major paintings, including paintings that embody the Ming values, a group by early Quing loyalist and orthodox artists of the 17th and 18th centuries, a rare handscroll composition by the Nanjing painter Liu Yu, a hanging scroll by Anhui school master Dai Benxiao, albums by Anhui painter Mei Quing and the Yangzhou eccentric Li Fangying, and two important modern artists. The accompany text by Hearn (curator, Department of Asian Art at the museum) analyzes each piece to illustrate its significance within its time, place, and the artist's oeuvre. As new

Kina - Mengde: 13 - Bok

Chinese Art - Lot with 13 books - 1994-2011

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Chinese Art - Lot with 13 books - 1994-2011

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