Attention: due to customs regulations we can only ship inside the European Union. Please ensure you have a valid EU shipping address before placing a bid. A rare Celtic silver ring composed of two thick silver wires which have been expertly shaped into a series of symmetrical spirals. One wire forms the circular hoop and continues into a series of pronounced scrolls across the upper section. A second wire is applied to create additional opposing scrolls, producing a layered openwork effect. The terminals of the applied wire are tightly wrapped around the hoop, securing the decorative construction. The strong spiral motif is characteristic of Celtic artistic tradition, particularly the La Tène style, where flowing curvilinear ornament and continuous looping forms dominate metalwork design. Outside diameter: ± 25,3 mm Inside diameter: ± 16,2 - 22,3 mm Condition: intact and wearable condition. Surface wear consistent with age and use. Areas of patination and minor surface irregularities visible. The decorative scroll element remains securely attached to the hoop. Certificate of Authenticity (PDF-format): available upon request. Spiral ornament is one of the defining features of Celtic art, symbolising continuity, movement and vitality. Such motifs appear widely in Celtic metalwork, from torcs and brooches to personal jewellery. Pieces of this type illustrate the blending of indigenous Celtic artistic traditions with the broader cultural world of the Roman period, particularly in frontier and provincial regions. Throughout history, the spiral has been a highly valued design in Roman, Anglo-Saxon, and Viking art, and continues to be appreciated to this day. MATERIAL This object has been carefully examined with regard to its material composition and surface characteristics. Specialised laboratory analysis such as metallurgical testing (e.g. XRF) is not routinely undertaken in private collecting and is more commonly associated with academic or institutional research. Destructive testing methods (such as acid testing) permanently damage the object’s surface and are not appropriate for archaeological material. Historically, modern hallmarking systems did not exist. The alloy composition of gold and silver could vary depending on local resources, trade networks, recycling practices and prevailing economic conditions.