Sztuka

Wystrój wnętrz i dekoracje

Biżuteria i kamienie szlachetne

Zegarki, pióra i zapalniczki

Moda

Monety i znaczki

Komiksy i animacje

Klasyczne samochody, motocykle i akcesoria

Wino, whisky i napoje spirytusowe

Sztuka azjatycka i plemienna

Karty kolekcjonerskie

Zabawki i modele

Archeologia i historia naturalna

Sporty

Muzyka, filmy i aparaty fotograficzne

Książki  i pamiątki historyczne

Sztuka powojenna, współczesna i grafiki prezentowane przez {name}


Antonio Yera

Handgekleurde Preegdruk / reliëf Ets door Arthur Luiz PIZA (1928-2017).
Voorstelling getiteld: "red lantern"
Losbladig, beeldmaat 21 x 15.5 cm, in passe partout: 35 x 25cm
Gesigneerd in potlood rechtsonder: `Piza`
Genummerd : E.A. exemplaar
Datering: jaren 80
Conditie: erg goed / mooie kleuren 

Arthur-Luiz Piza, printmaker, painter, and sculptor, was born in São Paulo, Brazil, on January 13, 1928. He was given private painting lessons from Brazilian Modernist Antonio Gomide beginning in 1948. After participating in the 1st São Paulo Biennale (1951), he developed an interest in engraving and other intaglio printmaking methods. In 1952 he moved to Paris, settling in the Montparnasse district, where he studied under printmaker Johnny Friedlaender. This pivotal time would shape the trajectory of his career, and intaglio printmaking would become his preferred medium for several decades. He exhibited his new Parisian work at the 2nd São Paulo Biennale and was awarded the Purchase Prize. In 1953 he held his first major solo shows, one in Brazil and one in Paris at the La Hune gallery.

By the late 1950s he was exhibiting frequently. By now he had started experimenting with thick-cut copper plates whose surfaces he manipulated with a gouge and chisel as well as deep-bite techniques, creating an embossment on the paper. These he would print using inks of his own concoction, some of which left a gloss that added further dimension to the work. His innovative style would earn him the National Engraving Prize in 1959 at the 5th Annual São Paolo Biennale; that same year, he exhibited at Documenta in Kassel, Germany. He participated in several group exhibitions in France, Brazil, Switzerland and Germany, gaining critical acclaim and earning awards. 

Along with other Latin American artists in Paris at the time, including Julio Le Parc and Luis Tomasello, Piza co-founded the Espacio Latinoamericano association, which focused on promoting the work of Latin American artists in Europe. This was partially funded by Roberto Matta, by then already an established Chilean artist in Europe, who would donate several paintings to the group. These would be sold at exhibitions set up by the group and all proceeds would go towards housing and art supplies.


In the late 1960s Piza had begun experimenting assemblages and collage, incorporating glued fragments of paper, copper, and wood into watercolor paintings. He took up porcelain ceramics, designing works for the Sèvres factory, and worked in silversmithing and jewelry making, which he considered a natural progressing from the work he did on the metal plate. He frequently talked about the blurred line between being an artist and an artisan, seeing them as one and the same. With regards to his printmaking, art critics would refer to him not as a printmaker but as a "sculptor of plates". 

In 1986 the French Cultural Center of Damascus, Syria, commissioned a three-dimensional panel from Piza, and in 1996, he participated in an exhibition with Hugh Weiss at the Gallery Fine Arts in Tokyo, Japan. After 2000, two major retrospectives of his work were organized in Brazil in São Paulo and Porto Alegre. He died on May 26, 2017 in Paris.

His works are preserved in many museums around the world, such as the Museum of Modern Art and the Solomon R. Guggenheim Museum in New York; the Victoria and Albert Museum, London; the Art Institute of Chicago; the National Library of France, the Georges Center- Pompidou, and the Museum of Modern Art, Paris. His works can also be found in Brazil, the United States, Italy, Austria, Germany, India, and Poland.

akwaforta, Technika mieszana - sygnowany - E.A.

Arthur Luiz Piza (1928-2017). - red lantern

Grafiki i multiple

Cena minimalna

Bez ceny minimalnej


Kup teraz

Data zakończenia

niedziela

sobota

jutro

piątek

czwartek

środa

13 kwiecień

15 kwiecień

Budżet

Lokalizacja

Francja

Włochy

Hiszpania

Holandia

Belgia

Niemcy

Polska

Portugalia

Wielka Brytania

Austria

Węgry

Szwecja

Szwajcaria

Czechy

Japonia

Rumunia

Litwa

Chorwacja

Wymiary

Wysokość

Szerokość

Głębokość

Marka

Medicom Toy

Orlinski

Przedmiot

Grafika

Litografia

Rzeźba

Kompozycja

Obraz

Płaskorzeźba

Rzeźba na płycie

Rysunek

Giclée

Lustro ścienne

Fotografia

Gobelin

Drzeworyt

Przycisk do papieru

Dzieło sztuki w technice mixed media

Kraj pochodzenia

Stany Zjednoczone

Nieznany

Chiny

Europa

Meksyk

Argentyna

Hong Kong

Izrael

Monako

Rosja

Brytyjskie Wyspy Dziewicze

Materiał

Brązowy

żywica

Stal

Marmur

Drewno

Brąz patynowany

Srebro

Ceramika

Papier

Pozłacane

Mosiądz

Metal

Żelazo

Kamień

Pozłacany brąz

Posrebrzany

Złoto

Plastik

Kryształ

Emalia

Porcelana

Wapień

Szkło

Srebro pr. 925

Tekstylia

Stan

w idealnym stanie

W Dobrym Stanie

W zadowalającym stanie

Piękny

Jak nowy - nieużywany

Stan doskonały - przedmiot prawie nieużywany, z minimalnymi oznakami wieku oraz zużycia.

Stan dobry - przedmiot używany, z niewielkimi oznakami wieku i niedoskonałościami.

Okres

1970-1980

1980-1990

1990-2000

1960-1970

2000-2010

1950-1960

2020+

XVIII wiek

XVII wiek

XIX wiek

2010-2020

1940-1950

1910-1920

1920-1930

1930-1940

XVI wiek

1900-1910

Meiji period (1868-1912)

Tematyka

Portret

Zwierzęta

Mitologia

Architektura

Religia

Krajobraz

Popkultura

Natura

Scena historyczna

Martwa natura

Scena wnętrza

Pejzaż miejski

Scena dzienna

Rośliny i kwiaty

Scena nocna

Pejzaż morski

Scena letnia

Sztuka wojskowa

Scena jesienna

Abstrakcja

Scena wiosenna

Fotografia artystyczna

Styl

Współczesny

Abstrakcjonizm

Surrealizm

Nowoczesny

Pop-art

Ekspresjonizm

Klasycyzm

Kobra

Kubizm

Realizm

Secesja

Renesans

Barok

Postimpresjonizm

Sztuka konceptualna

Fowizm

Op-art

Ekspresjonizm abstrakcyjny

Symbolizm

Impresjonizm

Sztuka metafizyczna

Romantyzm

Minimalizm

Neoekspresjonizm

Sztuka naiwna

Technika

litografia

akwaforta

Sitodruk

grawerunek

Druk offsetowy

Technika mieszana

Akwatinta

giclée

Linoryt

Grafiki i multiple

Ten przedmiot nie jest już dostępny, ale wciąż mamy wiele do odkrycia

Arthur Luiz Piza (1928-2017). - red lantern

Popularne w Grafiki i multiple

Liczba przedmiotów: 1122

Powiązane kolekcje