N.º 100590621

Jarra - Cerâmica - Japão - Vaso de Kutani Ware com caixa (Sem preço de reserva)
N.º 100590621

Jarra - Cerâmica - Japão - Vaso de Kutani Ware com caixa (Sem preço de reserva)
Artist: Munehiro Yamagami (go Sōshū / 宗秀)
Title of work: Kutani-ware Flower Vase (Hanaire / Decorative Vase, signed by Sōshū)
This is an elegant Kutani-ware porcelain vase crafted and signed by the contemporary ceramic artist Munehiro Yamagami, known professionally by his artistic name Sōshū (宗秀). Produced through the tradition of Japanese Kutani ceramics, this vase is a refined decorative piece combining classical porcelain craftsmanship with expressive surface decoration — ideal for floral display or as a collectible art object.
About the Artist — Sōshū (宗秀)
Sōshū is the professional name used by Munehiro Yamagami, who established the Sōshū kiln (宗秀窯) in Ishikawa Prefecture. Born in 1953 in Terai (now Nomi City), he trained at the Ishikawa Prefectural Kutani Ceramic Technical Training Institute and studied under master potters — first in throw-forming and firing, and later in overglaze painting and color techniques. By the mid-1980s, he founded his own studio, focusing on modern interpretations of traditional Kutani porcelain while advancing unique decorative approaches.
Sōshū’s Kutani Technique
Sōshū is particularly associated with a distinctive style called yūriginsai (釉裏銀彩 / underglaze silver enamel), in which precious metal (silver or gold) pigments are integrated beneath the surface glaze. This technique produces delicate metallic accents with soft luminosity and deep visual complexity, harmonizing with the bold yet elegant palette of traditional Kutani ware.
About Kutani Ware
Kutani ware (Kutani-yaki) is one of Japan’s most esteemed traditional porcelain styles, originating in the Kaga region of Ishikawa Prefecture during the early Edo period. It is particularly known for its vivid overglaze enamel decoration and bold color palette, often featuring rich green, blue, red, yellow, and purple hues.
Kutani ware’s decorative technique involves applying pigments over the glazed surface and firing again at lower temperatures, resulting in deep, luminous colors and expressive motifs that frequently depict flowers, birds, landscapes, or symbolic patterns.
Tōsen Kiln’s output is part of a long heritage of Kyō ware / Kiyomizu ceramics, which has been nurtured in Kyoto for centuries. These ceramics are not limited to a single style but encompass many traditions of form, decoration, and firing technique that have developed in and around Kyoto’s historic pottery districts.
Because Tōsen Kiln pieces are hand-made and often use traditional motifs and glazing techniques, works bearing the “Tōsen-zō” mark are appreciated for their craftsmanship, cultural connection, and aesthetic quality, whether used as functional tableware or decorative art.
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