Jordi Huisman - Rear Window Amsterdam #1






Tem mais de dez anos de experiência em arte, com especialização em fotografia do pós-guerra e arte contemporânea.
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Sou fotógrafo documental e editorial de Haia. Trabalho mundialmente para revistas, agências de publicidade, arquitetos e clientes comerciais. Além disso, realizo projetos pessoais como Rear Window, para os quais tenho fotografado a visão traseira de edifícios ao redor do mundo desde 2010.
Amsterdam foi a primeira cidade que capturei para a série.
In urban planning, architects often pay great attention to the design of a building's front, while the rear is overlooked.
Rear views of homes in older cities often evolve more organically, as neat layouts are disrupted by encroaching greenery. A balcony might host a large satellite dish while an adjacent landing serves as storage space. In Southeast Asia, air conditioning units form their own façade; in Northern Europe, a Christmas tree planted in a courtyard has grown into a massive obstacle.
This series explores the backs of buildings in metropolises worldwide, revealing international differences and the resulting global chaos.
This is an Epson print, mounted on dibond. It has a protective UV layer which gives a matte effect. The print is framed in a light colored wooden frame. It has been used for an exhibition before but is in very good state.
Amsterdam #1 at 100x80cm has an edition of 10, of which 4 have been sold. It comes with a certificate of authenticity and is signed on the back.
Sou fotógrafo documental e editorial de Haia. Trabalho mundialmente para revistas, agências de publicidade, arquitetos e clientes comerciais. Além disso, realizo projetos pessoais como Rear Window, para os quais tenho fotografado a visão traseira de edifícios ao redor do mundo desde 2010.
Amsterdam foi a primeira cidade que capturei para a série.
In urban planning, architects often pay great attention to the design of a building's front, while the rear is overlooked.
Rear views of homes in older cities often evolve more organically, as neat layouts are disrupted by encroaching greenery. A balcony might host a large satellite dish while an adjacent landing serves as storage space. In Southeast Asia, air conditioning units form their own façade; in Northern Europe, a Christmas tree planted in a courtyard has grown into a massive obstacle.
This series explores the backs of buildings in metropolises worldwide, revealing international differences and the resulting global chaos.
This is an Epson print, mounted on dibond. It has a protective UV layer which gives a matte effect. The print is framed in a light colored wooden frame. It has been used for an exhibition before but is in very good state.
Amsterdam #1 at 100x80cm has an edition of 10, of which 4 have been sold. It comes with a certificate of authenticity and is signed on the back.
