Stefanie Schneider - Max in pool (29 Palms, CA)






Mais de 35 anos de experiência; ex-proprietário de galeria e curador no Museum Folkwang.
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Max in Pool (29 Palms, CA) - 1999 -
20x20cm
edição esgotada Edição de 10, Provas de Artista 1/2.
C-Print arquivístico, com base na Polaroid original.
Número de inventário do artista 612.
Etiqueta de assinatura e Certificado.
Não montado.
for more information please read the Catawiki article: https://www.catawiki.com/stories/2671-studying-stefanie-schneider-polaroid-photographer-20-03-2017
Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters.
Schneider works with chemical mutations of expired polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dreamscapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction.
Stefanie's work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, …
Max in Pool (29 Palms, CA) - 1999 -
20x20cm
edição esgotada Edição de 10, Provas de Artista 1/2.
C-Print arquivístico, com base na Polaroid original.
Número de inventário do artista 612.
Etiqueta de assinatura e Certificado.
Não montado.
for more information please read the Catawiki article: https://www.catawiki.com/stories/2671-studying-stefanie-schneider-polaroid-photographer-20-03-2017
Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters.
Schneider works with chemical mutations of expired polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dreamscapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction.
Stefanie's work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, …
