Max Modolo - Jarra - Grés - Vaso biomórfico 1





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Vaso biomórfico 1 de Max Modolo, peça de cerâmica italiana em estilo moderno rústico, com borda explodida e esmalte texturado branco marfim cremoso com pingos de ouro mineral, diâmetro 19 cm, altura 25 cm, profundidade 18 cm, largura 19 cm, peso 2,2 g, datação 2010–2020 e em estado novo.
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Max Modolo - Vaso Biomórfico 1
Estilo: Moderno, Italiano/Japonês, Wabi-Sabi, Imperfeição, Calma, Minimalismo, Materiais naturais, Paleta de cores terrosas.
Cerâmica de grês. Temperatura de queima 1240°C. Vaso biomórfico com borda explodida. Esmalte texturado em tons de branco, marfim e creme. Gotas e crateras de ouro mineral.
Max:
“My artistic experimentation in the field of ceramics is linked to both shapes and textures; I am very interested in the effects of ceramics and glazes obtained by some Italian artists, such as Guido Gambone and Marcello Fantoni, I have always been attracted by the shapes created by Lucie Rie and Hans Coper; recently I have been interested in the German ceramics of the 60s and 70s, known as Fat Lava ceramics.
My greatest achievement is to be able to create a work that in structure and final appearance is as close as possible to what is envisaged in my mind. In creating ceramic works, in glazing them, in firing them I feel a deep joy, I hope that it will somehow be transmitted to my pieces.”
Max Modolo - Vaso Biomórfico 1
Estilo: Moderno, Italiano/Japonês, Wabi-Sabi, Imperfeição, Calma, Minimalismo, Materiais naturais, Paleta de cores terrosas.
Cerâmica de grês. Temperatura de queima 1240°C. Vaso biomórfico com borda explodida. Esmalte texturado em tons de branco, marfim e creme. Gotas e crateras de ouro mineral.
Max:
“My artistic experimentation in the field of ceramics is linked to both shapes and textures; I am very interested in the effects of ceramics and glazes obtained by some Italian artists, such as Guido Gambone and Marcello Fantoni, I have always been attracted by the shapes created by Lucie Rie and Hans Coper; recently I have been interested in the German ceramics of the 60s and 70s, known as Fat Lava ceramics.
My greatest achievement is to be able to create a work that in structure and final appearance is as close as possible to what is envisaged in my mind. In creating ceramic works, in glazing them, in firing them I feel a deep joy, I hope that it will somehow be transmitted to my pieces.”

