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Sebastian Hau

VERY IMPRESSIVE PHOTOBOOK:
Martin Parr, The photobook, vol 2, page 253

'Moments in Between' (1994–1999) presents photographs taken before, during and after the wars in the former Yugoslavia. According to Lasthein, it is an 'attempt to understand life in the shadow of war'.

Signed by Jens Olof Lasthein.
I GUARANTEE THE AUTHENTICITY OF THE SIGNATURE. 

VERY FRESH CONDITION.

This is an exclusive photobook auction by Anatole Desachy (France) and Ecki Heuser (Germany).
During the incredible period of troubles all around the world, we have selected 60 photobooks to remember that war is (not) over. 
This auction gathers works from the archive (Robert Capa, Stanley Greene and others) to our times (Gilles Peress, Kent Klich, Fouad Elkoury and many others) and it's a way for us to share about 'photographers at war' into photobook's history.

Journal, Stockholm, 2000. First edition, first printing. 

Hardback with jacket. 196 x 245 mm. 120 pages. 55 colour photographs and 1 black and white map. Photos: Jens Olof Lasthein. Text by Jesper Lindau. Afterword by Jens Olof Lasthein. Edited by Gösta Flemming. Design by Patric Leo. Text in English and Swedish. 

Condition:
Book and dustjacket new and unread, super fresh and only opened for the signature, excepted very light bump at the bottom left corner of the dustjacket, of the rear cover and of the last pages (not dramatic, but necessary to mention); otherwise brandnew, no other remarkable flaws or defects. Overall fine condition.

Great photobook - signed by the artist.

'Jens Olof Lasthein (born 1964) is a Swedish freelance photographer. His widely exhibited work principally covers scenes before and after the wars in former Yugoslavia and the areas across Europe bordering the old Iron Curtain.
Born in Sweden in 1964, Lasthein grew up in Denmark. After school, he travelled widely in Asia and eastern Europe. He worked in a shipyard and as a bus driver before studying photography at Nordens Fotoskola (the Nordic Photo School) in Stockholm (1989–1992).
Since 1992, Lasthein has lived in Stockholm and worked as a freelance photographer for magazines and newspapers as well as on his own projects. Two of his major projects, which have formed the bases of his exhibitions and have also been published in book form, are described below.
Moments in Between (1994–1999) presents photographs taken before, during and after the wars in the former Yugoslavia. According to Lasthein, it is an "attempt to understand life in the shadow of war".
White Sea, Black Sea (2001–2007) documents a journey along the eastern border of the European Union from Arkhangelsk in the north to Odessa in the south. It explores the transition of the borderland between eastern and western Europe. Lasthein explains that his interest in eastern Europe began when he spent a week in Moscow in 1982 followed by two months hitchhiking in Romania, Hungary, Czechoslovakia and Poland in 1984. The first photographs to become part of the project were actually taken in St Petersburg in 1993 while he was doing a photographic report on the Russian mafia. Lasthein's project was reinforced by his irritation at a tendency in western Europe for people to forget about the areas of Europe to the east of the EU borders. He also sought to visit places which would help to provide answers to existential questions about who we are and why we are here.
In Lasthein's own words:
Basically the idea is to take the viewer on a visual journey through the borderland between European East and West. Not claiming any kind of truth, the conditions are decided by myself alone, in relation to my own internal boundaries: What can it be like being European? An attempt to open up some borders – my own, and maybe even others.
Lasthein's photographs are taken with a panoramic camera which gives them a Cinemascope appearance. He became acquainted with the technique in 1991 when he followed the work of film directors Sergio Leone and Akira Kurosawa. Using an extremely wide angle of 140°, he decided to apply it to still photography. It provided possibilities of complexity, allowing more than one story to be included in the picture. It also gave him scope for theatrical scenes where everything is happening at once. Finally, he believes the technique creates conditions for the viewer to believe in the picture.
Commenting on White Sea, Black Sea, Swedish photographer Marie Lundquist sees a special kind of Slavic melancholy in Lasthein's pictures. Some of the photographs convey such a homely feeling that they look as if they have been taken from a family album. But they are not just about people (or animals); they also show the surrounding environment with empty waiting rooms, overgrown road signs or geese marching towards a cathedral. The use of panorama allows the photographer to depict everyday scenes, often with a humorous touch, in which different people react to each other. Lasthein also has an ability to make use of the warm afternoon light to create an overwhelming sense of space, extending far beyond the narrow pages of the book."
(Wikipedia)

Arte, Fotografia - Quantidade: 1 - Assinado, Capa de papel protetora - Livro

SIGNED; Jens Olof Lasthein - Moments in Between - 2000

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