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Sebastian Hau

This is a lot by 5Uhr30.com (Ecki Heuser, Cologne, Germany).
We guarantee detailed and accurate descriptions, 100% transport protection, 100% transport insurance and of course combined shipping - worldwide.

VERY SCARCE OPPORTUNITY -
to purchase the SOUGHT-AFTER German photobook "Verkehrprojekte" ("Traffic Projects") by Hans-Christian Schink as SPECIAL EDITION WITH BIG C-PRINT.

Strongly limited to 20 (!) copies only plus 2 artist prints - here number 17.

COMPLETE with book, dustjacket, linen portfolio and C-print (title: "A 14 – Brücke Raderfeld", 
the motif is not in the book).
All new, mint, unread - COLLECTOR'S COPY.

Important German photobook:
Thomas Wiegand, Manfred Heiting, Deutschland im Fotobuch, page 74

Book and print signed by Hans-Christian Schink (see pictures).
I GUARANTEE THE AUTHENTICITY OF THE SIGNATURES.

Fantastic photo project:
"Empty highway bridges, gigantic concrete pillars, tracks for the Intercity railway-all devoid of humans and bathed in cool winter light. The theme of these striking images captured by Leipzig photographer Hans-Christian Schink is the massive road-and-rail infrastructure program for eastern Germany, projects designed to transform it into "flourishing landscapes." 
(from the publisher)

Hatje Cantz, Ostfildern-Ruit. Art Book Cologne. 2004. First edition, first printing. 
The book came out in 2004 by Hatje Cantz, the special edition came out some years later by 
Art Book Cologne.

Hardcover with dustjacket plus separate linen portfolio with C-print. 520 x 420 mm (portfolio). 500 x 400 mm (print). 322 x 284 mm (book). 119 pages. 55 photos (53 colour, 2 black and white). Photos: Hans-Christian Schink. Layout: Atelier Sternstein. Texts by Matthias Flügge, Hans-Christian Schink. Text in German and English. 

Great German photobook in perfect condition as SPECIAL EDITION -
with SIGNED BOOK and with SIGNED C-PRINT.

"Schink's photographs map the violent incursions into the surroundings-"monsters of infrastructure," as the German daily newspaper FAZ aptly put it, as technology has cut and sliced its way through the countryside. All scenes are shown from the pedestrian's perspective, often at points destined to be bursting at the seams with traffic in the not-so-distant future. Yet despite the cool sobriety of these photographs, one also recognizes allusions to the landscape paintings of the Romantic period in images such as a roadbed disappearing into the distant mist..."
(from the publisher)

Hans Christian Schink was born in 1961 in Erfurt, Germany. He studied photography at the Leipzig Academy of Visual Arts in Saxony under Jochin Jansong, and in 1993 he completed his postgraduate at the University of Leipzig. His work navigates the permanent relationship between human technology and nature through focus on aesthetic linear constants throughout the globe.
Christian Schink’s revolutionary technique of solarisation, equipped to great effect in his, 1h, series,  creating ethereal apparitions within his work. A solarization is a photographic effect which distorts the film through extreme overexposure to light, triggering a reversal of the chemical processes on the negative. This excess light becomes inverted and is rendered in the final image as black. This technique was first documented by theoretician and photographer, Minor White, in their, Black Sun (1955), where White happened upon the effect when his camera shutter froze.
Schink thereafter has used this technique to document the movement of the Sun through the sky over the course of a one hour exposure. Schink’s masterful ability to create photographs with the stunningly interesting compositional aspect of the Sun’s abstracted movement through such technique alludes to the early photography work of Muybridge, as well as the ballistic reports produced by the physicists Ernst Mach and Peter Salcher, documenting the camera’s ability to capture movement in a way unlike the eye. 1h, reflects on the utopian character of analogue photography established from its inception, its definitive reality through chemical reactions to light exposure, however manipulating such affect to create alien intrusions.
Hans Christian Schink has won countless grants and awards allowing him to continue his, 1h, series documenting the globe in regards to the movement of the Sun. Christian Schink photographs the previously undocumented, showing landscapes unknown to many, this means that although meticulously planned, a location cannot be truly confirmed unless scouted by Schink himself – making the photographs exceptionally rare given that they need to be taken either close to dusk or dawn. This othering of landscapes is further emphasised by the presence of the alien abstracted Sun.
Hans Christian Schink has exhibited at Kunstmuseum Heidenheim (Heidenheim, DE); ACE Gallery (LA, US); Galerie Rothamel (Erfurt, DE); Museo de Arte Contemporáneo (Salta, AR). His work is currently in the collections of ADAC Collection (Munich, CH); DZ Bank (DE); Bundeskunstsammlung – Contemporary Art Collection of the Federal Republic of Germany (DE); LACMA (LA, US); MoMA (Tokyo, JP); The Getty Centre (LA, US); amongst others which can be found on his website or which can be emailed to you upon request."
(Art Hill Gallery)

Arte, Fotografia - Quantidade: 1 - Assinado, Capa de papel protetora - Livro de fotografia

Signed; Hans-Christian Schink - Traffic Projects (special edition with c-print) - 2004

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