Max Modolo - Vas - Faianță - Carbon Vase





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Carbon Vase, vază biomorfă din ceramică cu glazură texturată neagră și picături minerale de aur, 17 cm lățime, 22 cm înălțime, 17 cm adâncime, produs în Italia, stil modern rustic, arsă la 1240°C, în stare nouă.
Descriere de la vânzător
Style: Modern, Italian/Japanese, Wabi-Sabi, Imperfection, Calm, Minimalism, Materiale naturale, Paletă cromatică Pământiu
Stoneware. Firing temperature 1240°C. Biomorphic vase with an exploded rim. Textured glaze in shades of black and dark grey. Mineral gold drippings and craters.
Max:
“My artistic experimentation in the field of ceramics is linked to both shapes and textures; I am very interested in the effects of ceramics and glazes obtained by some Italian artists, such as Guido Gambone and Marcello Fantoni, I have always been attracted by the shapes created by Lucie Rie and Hans Coper; recently I have been interested in the German ceramics of the 60s and 70s, known as Fat Lava ceramics.
My greatest achievement is to be able to create a work that in structure and final appearance is as close as possible to what is envisaged in my mind. In creating ceramic works, in glazing them, in firing them I feel a deep joy, I hope that it will somehow be transmitted to my pieces.”
Style: Modern, Italian/Japanese, Wabi-Sabi, Imperfection, Calm, Minimalism, Materiale naturale, Paletă cromatică Pământiu
Stoneware. Firing temperature 1240°C. Biomorphic vase with an exploded rim. Textured glaze in shades of black and dark grey. Mineral gold drippings and craters.
Max:
“My artistic experimentation in the field of ceramics is linked to both shapes and textures; I am very interested in the effects of ceramics and glazes obtained by some Italian artists, such as Guido Gambone and Marcello Fantoni, I have always been attracted by the shapes created by Lucie Rie and Hans Coper; recently I have been interested in the German ceramics of the 60s and 70s, known as Fat Lava ceramics.
My greatest achievement is to be able to create a work that in structure and final appearance is as close as possible to what is envisaged in my mind. In creating ceramic works, in glazing them, in firing them I feel a deep joy, I hope that it will somehow be transmitted to my pieces.”

