Francisca Salvat Homs (1946) - El ramo

Pictura Subastas presents this magnificent artwork belonging to Salvat Homs, which represents a lush bouquet of multicolored flowers arranged in an elegant blue jug, like a vibrant celebration of the beauty, abundance and vitality of nature. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Dimensions of the work: 53x46x2 cm.
· Oil on canvas hand-signed by the artist at the bottom right.
· The piece is in good preservation condition, shows multiple losses of paint in the area of the flowers.

The work comes from an exclusive private collection in Girona.

Important note: the photographs included are an integral part of the lot description. Digital representation in an indicative mockup; there may be differences from the actual item in color, scale and details.

The painting will be professionally packed by an IVEX expert, using high-quality materials to ensure its protection. The shipping price covers both the cost of the professional packaging and the transport itself.
Shipping will be made by Correos or GLS with tracking. International shipping available.

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This painting presents a lush bouquet of multicolored flowers arranged in an elegant blue jug, creating an image of extraordinary vitality, abundance and visual richness. The composition is dominated by a large floral mass that expands to all edges and practically fills the space, as if the flowers had grown freely to overflow the container. The scene transmits an immediate sense of joy and energy, yet also preserves the intimacy of a domestic arrangement viewed up close. Each flower seems to have its own character and color, although all participate in a common harmony that turns the bouquet into a passionate celebration of nature.

The jug is situated in the lower central part and functions as the firm support point of the entire composition. Its rounded, voluminous body presents an intense deep blue color, enriched by reflections in white, violet, turquoise and electric blue tones. Its wide handle opens toward the right with an elegant curve that reinforces the sense of volume. The darkness of the container contrasts with the luminosity of many of the flowers, allowing the bouquet to visually rise with even greater intensity.

The surface of the jug seems to pick up small flashes from the surroundings. Some areas show clear reflections that outline its curved shape, while others remain submerged in deep blues and violets. This alternation between light and shadow gives the container a solid and ornamental presence. Although occupying a substantial part of the foreground, the jug does not compete with the flowers, but acts as a chromatic base capable of gathering and balancing the extraordinary variety of the bouquet.

In the center of the arrangement stands a large cluster of light-colored flowers, formed by whites, pale greens, blue-gray tones, lilacs and delicate pinkish hues. This luminous mass seems to expand like a soft cloud in the middle of the more intense colors. Its shapes overlap and blend slightly with one another, creating a transition zone between the reddish flowers at the top and the deeper tones of the container. The clarity of this central core provides air and rest to the gaze within a composition marked by abundance.

To the left of the center appears a large flower in deep burgundy and reddish tones, whose wide, open petals form one of the main focal points. Its deep color combines with carmine, Bordeaux, pink and white nuances, creating a powerful and almost regal presence. Nearby you can observe other reddish flowers of different sizes, some fully open and others partially hidden. This overlap generates a sense of depth and makes the bouquet appear much denser than it might seem at first glance.

In the lower right area is another important group of red, burgundy and pink flowers. Its petals intertwine with small white, orange and violet notes, forming a warm mass that balances the large flower on the opposite side. From among them emerge dark centers and small verdant shadows that accentuate its volume. The intensity of these colors conveys passion and strength, turning this section of the bouquet into one of the most expressive and vibrant areas of the work.

The yellow and orange flowers add brightness and dynamism to numerous points of the composition. Some appear at the upper edges, while others rise between the reddish flowers or lean toward the sides. At the top, a large yellow flower mixed with orange, reddish and white tones stands out, whose presence seems to crown the bouquet. Its warm color immediately draws the eye and establishes a connection with the yellow flowers located in the lower left area and on the far right.

Around these large flowers are distributed small white and yellow flowers that recall wild daisies. Their simple appearance introduces a note of delicacy within the exuberance overall. Some tilt toward the viewer, clearly showing their golden centers, while others appear in profile or are partially hidden among leaves and petals. These small flowers ease the density of the large volumes and provide a sense of spontaneity, as if the bouquet had been gathered directly from a garden.

The flower in the upper right, with light petals and a warm center, opens widely over the set. Its star-like shape and luminosity make it another standout point within the bouquet. The white, cream, pink and yellowish tones of its petals contrast with the dark background and with the surrounding orange flowers. Its presence introduces elegance and balance in a zone dominated by warm colors and densely superimposed shapes.

The foliage appears among the flowers through green stems, dark leaves and small blue-green or turquoise shapes. Although in many places it is hidden by the abundance of petals, its presence is essential to unite the different zones of the bouquet. Some stems rise vertically, others tilt toward the edges and several disappear into the mass of flowers. This variety of directions breaks any rigidity and conveys the impression of a natural, free and slightly disordered arrangement.

The dark background is built from deep greens, blues, grays, violets and blacks, forming an enveloping atmosphere that enhances the colors of the foreground. It is not presented as a completely uniform surface, but as a space full of variations, shadows and small areas of clarity. In certain spots it seems to suggest leaves, corners of a room or barely distinguishable vegetation, though its indefinition keeps all attention on the bouquet. This darkness provides depth and makes the flowers appear to advance toward the viewer.

In the upper left, green and blue tones create a triangular structure that could recall a fold, a shadow or a partially hidden architectural shape. This element introduces a slight sense of mystery and expands the space beyond the bouquet. However, its contours remain deliberately integrated into the background, avoiding distracting the gaze. The composition thus preserves an intimate character, as if the flowers had been placed in a quiet corner and contemplated under changing light.

The table on which the jug rests appears at the bottom through a succession of browns, ochres, muted greens, yellows and violets. Its surface is partially covered by shadows and reflections from the container. The diagonal lines emanating from the lower edges seem to guide the viewer’s gaze toward the jug, reinforcing its central position. This earthy space provides stability to the scene and contrasts with the intensity of the blues and with the expansive character of the bouquet.

The composition is organized around an interesting contrast between concentration and overflow. The jug gathers the stems in a relatively narrow point, but the flowers open immediately toward the sides and upward, forming a large irregular crown. Some are cut off by the edges, suggesting that the bouquet continues beyond what is visible. This arrangement increases the sense of abundance and makes nature seem incapable of being contained within the limits of the image.

The color range is one of the most captivating aspects of the work. The bright yellows face the violets and deep blues, while the reds, burgundies and oranges find balance in the whites, pale greens and grays. The colors do not appear isolated, but visually mixed through small correspondences that run through the entire composition. A blue reflection can be found among the reddish petals, just as a yellow note may arise within a white or orange flower.

Light is distributed in a fragmented way over the bouquet. Some petals seem to receive direct clarity and stand out with intensity, while others remain partially hidden beneath nearby flowers. This alternation creates numerous planes and prevents the whole from being perceived as a flat mass. The eye can move from the nearest flowers to the small shapes hidden in the background, continuously discovering new nuances, centers, petals and leaves.

The extraordinary proximity of the bouquet intensifies the visual experience. There is no great distance between the viewer and the flowers; on the contrary, they seem to approach, invade the space and offer all their wealth of color. This closeness allows us to imagine the aroma, freshness and variety of the whole. The work does not simply show flowers placed in a jug, but communicates the physical and emotional sensation of encountering an explosion of nature.

Despite the diversity of shapes and colors, the image preserves a remarkable unity. The light-colored flowers at the center act as a bridge between the upper yellows, the side reds and the deep blue of the container. The small white flowers repeat in different zones and create a luminous rhythm, while the greenish tones connect the background to the interior of the bouquet. Thanks to these relationships, the exuberance never becomes disorder, but a carefully balanced abundance.

The scene also has a symbolic dimension related to ephemeral beauty. The flowers appear at a moment of fullness, open and full of color, but their nature inevitably recalls the passing of time. The bouquet can be interpreted as a celebration of life, renewal and those moments of beauty that must be contemplated before disappearing. The jug, firm and dark, seems to preserve for a moment this luminous explosion, offering a delicate balance between permanence and fugacity.

Furthermore, the painting communicates a deeply emotional atmosphere. The reds and burgundies evoke intensity and passion; the yellows bring joy and optimism; the whites suggest serenity; and the deep blues of the jug introduce calm and elegance. This combination makes the scene feel simultaneously festive and intimate. The bouquet appears to have been gathered not only to decorate a room but also to celebrate a remembrance, express affection or illuminate a special moment.

Overall, the work represents a magnificent bouquet of multicolored flowers spilling over an elegant blue jug and filling the scene with life, color and emotion. The large red, burgundy, yellow, orange and white flowers mix with delicate daisies, green leaves and blue reflections, forming an exuberant composition in which every corner offers a new detail. The dark background enhances the luminosity of the petals, while the solid presence of the container provides balance and depth. The image thus becomes an intense celebration of nature, ephemeral beauty and the ability of flowers to transform a mundane space into a universe full of joy, energy and sensitivity.