Ken Ohara - One - 1970

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Ken Ohara; One, Erstausgabe, Tsukiji Shokan Publishing 1970, ein 300 Seiten umfangreiches Softcover-Fotobuch in Größe 27,5 × 22 cm mit Schutzumschlag, Originalsprache Englisch und Japanisch.

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Ken Ohara; One; Tsukiji Shokan Publishing, 1970.
Softcover, 27,5 x 22,2 cm. Black & white photographs. First edition, 1970. Included in Martin Parr & Berry Badger, The Photobook I, page 291. Very good condition including the rare dustjacket, which shows slight wear along the edges an minimal abrasion at the dj's upper spin end and slight kink at the upper right corner of the front cover, not noticable under the dw. Inscribed to Benedict Taschen in 1996, no signature.
Ohara assembled 500 portraits of people of different backgrounds and printed them with identical tonal values, effectively neutralizing skin‑colour differences. Through uniform framing that aligns the facial features, he minimizes what are usually seen as racial distinctions. Physiognomic traits often associated with racial groups prove far less significant in his compendium than skin tone. In doing so, Ohara uses the camera to imagine humanity as a single melting pot, his serial portraits functioning as a quiet act of atonement for racism.

Ken Ohara; One; Tsukiji Shokan Publishing, 1970.
Softcover, 27,5 x 22,2 cm. Black & white photographs. First edition, 1970. Included in Martin Parr & Berry Badger, The Photobook I, page 291. Very good condition including the rare dustjacket, which shows slight wear along the edges an minimal abrasion at the dj's upper spin end and slight kink at the upper right corner of the front cover, not noticable under the dw. Inscribed to Benedict Taschen in 1996, no signature.
Ohara assembled 500 portraits of people of different backgrounds and printed them with identical tonal values, effectively neutralizing skin‑colour differences. Through uniform framing that aligns the facial features, he minimizes what are usually seen as racial distinctions. Physiognomic traits often associated with racial groups prove far less significant in his compendium than skin tone. In doing so, Ohara uses the camera to imagine humanity as a single melting pot, his serial portraits functioning as a quiet act of atonement for racism.

Details

Anzahl der Bücher
1
Thema
Fotografie
Buchtitel
One
Autor/ Illustrator
Ken Ohara
Zustand
Gut
Erscheinungsjahr (ältestes Objekt)
1970
Höhe
27,5 cm
Auflage
Erstauflage
Breite
22 cm
Sprache
Englisch, Japanisch
Originalsprache
Ja
Verlag
Tsukiji Shokan Publishing
Bindung
Broschur
Extras
Schutzumschlag
Anzahl der Seiten
300
Verkauft von
DeutschlandVerifiziert
720
Verkaufte Objekte
100 %
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