Rosenthal - Helmut Drexler - Vase (5) - Goldfeuer Goldglasiertes einzigartiges Set aus 3 Vasen, Kerzenhalter & Deckel-Box - Porzellan, Glasur, Gold - Handgemalt Boho-Chic

Rosenthal Studio-Line – Goldfeuer Collection by Helmut Drexler (5-Piece Ensemble) – Lilac, Grey & Genuine Gold – 1986–1992

A luminous five-piece ensemble from the coveted *Goldfeuer* series by Helmut Drexler for Rosenthal Studio-Line, showcasing the designer’s distinctive 1980s-90s fusion of sculptural clarity and opulent surface treatment. This curated constellation of porcelain objects blends lilac-grey tones with hand-applied real gold in painterly veining and atmospheric speckles, making each piece uniquely radiant.

Spanning a period from 1986 to 1992, this group exemplifies Drexler’s late postmodern vocabulary—formal purity balanced by ornamental boldness.

Included Objects:

* Tall Oval Vase (21 cm, 1986) – Satin-finished porcelain with a gentle lilac glow and soft architectural silhouette.
* Medium Rectangular Vase (18 cm, 1988) – High-gloss porcelain with layered bands of gold and grey, compact and graphic in presence.
* Compact Cylinder Vase (16 cm, 1986) – Bold and minimal, richly glazed in glossy tones with a faceted iridescence.
* Candleholder (16 cm) – A ceremonial object with wide rim, glossy and reflective, suggesting both utility and sculpture.
* Lidded Box / Container (11 × 9 × 7 cm, 1992) – Jewel-like in presence, this storage piece combines geometric form with a painterly golden sheen.

Designer: Helmut Drexler
Manufacturer: Rosenthal Studio-Line
Series: Goldfeuer
Years of production: 1986–1992
Material: Porcelain with hand-applied gold
Finish: Satin, depending on object
Color palette: Lilac-grey, pale gold, silver-grey, hints of pink-purple iridescence
Condition: Excellent vintage condition with minimal signs of wear. All objects are intact with no cracks or chips. Hand-applied decoration may show slight irregularities as part of the artisanal process.

Aesthetic Note:
These five objects—each standalone yet profoundly connected—form an ensemble that reads like a modernist still life: austere and radiant, precise and lyrical. Their proportions evoke musicality, and the shimmering gold evokes not luxury alone, but ceremony—objects imbued with rhythm and reverence.

Whether dispersed or kept together, they elevate any shelf, console, or architectural niche into a curated gallery moment.

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