Luis Miranda Niveiro (1899-¿) - La Crau: Pêchers en Fleur (D'après Vincent van Gogh)

Oil on canvas. Original canvas. Signed on the back.

In the gloomy and dusty Teruel of the post-war period, where the air smelled of cold and forgetfulness, Luis Miranda's life was an exercise in restraint. A civil servant at the Ministry of Agriculture, his existence was measured in files, ink stamps, and the monotonous rhythm of paperwork that vainly tried to revive a devastated countryside. But behind the facade of this gray man with a fine mustache and worn-out waistcoat, there beat a chromatic fever and an incendiary nostalgia.

His refuge was none other than the tiled attic where the cierzo howled. There, under the scant light filtering through a dirty skylight, Luis devoted himself to his only and secret passion: copying. He did not copy decrees or harvest statistics; he was obsessed with the sun. His object of devotion was a small, faded sheet that reproduced 'Crau Landscape with Peach Trees in Bloom' by Vincent van Gogh. In that explosion of cadmium yellow, cobalt blue, and the trembling pink of the flowers, Luis found a promise of life that the arid landscape of his Teruel would never grant him.

With the improvised easel and trembling brush, Luis was not only copying the form but also trying to steal the Dutchman's light. Every stroke of paint was a challenge to his reality. Van Gogh's peach trees became a vision of a southern Eden, a garden of madness and beauty that contrasted with the surrounding misery. By applying the intense pink, Luis unleashed the passion that bureaucracy had chained; by depicting the scorching yellows, he challenged the eternal gray of the Aragonese sky. That work was not a simple replica but an act of desperate love and a poetic declaration: a man's will to rewrite his gray destiny with the untamed colors of a genius who, like him, had found in painting the only solace for his inner storm.

- Image dimensions without frame: 41 x 32 cm / 45 x 36 cm with a beautiful custom frame.

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