Alberto Ricardo (XXI) - Princesa Peach en e Reino de Sombras

Work created on professional canvas using the giclée printing technique. Digital art that employs contemporary media and artificial intelligence.
Artwork by artist Alberto Ricardo created using Giclée print technique on high-quality professional canvas, 100% cotton, highly resistant to handling and external agents, from the Eco Canvas Roma Glossy brand, satin finish.
We guarantee a durable product with visual quality.
Painting with dimensions of 60 x 80 cm and a depth of 5 cm.
Limited edition 4/10 hand-signed on the front.
On the back of the piece, you will find the details about the work.
The shipment will be made through United Parcel Service (UPS) for Spain and Europe, and through Fedex for the rest of the world.
The work will be rolled and protected with several layers of packaging, bubble nylon, and placed in a sturdy tube.
Once the work has been paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will arrive within ten days, depending on the destination country.
Proposed Title:
Kingdom of Shadows: The Other Side of the Crown

Technical-conceptual assessment in a narrative essay style.

In this canvas print, we encounter a dramatic reinvention of the classic video game character: Princess Peach. But this is not the gentle, optimistic figure traditionally expected to be rescued. Here, Peach stands as an enigmatic, powerful, and almost gothic figure, blending fairy tale imagery with a dark fantasy aesthetic.

Digital painting techniques emulate the richness of classic oil painting: the suggested brushstrokes in its dress and hair, the atmospheric transitions filled with fog and depth, and the deliberate saturation of crimson red bathing the moon like a portent, place us in a setting of narrative tension. The castle in the background, dark and intricate, becomes a symbol of power that has grown more somber, more introspective. It is not a joyful palace; it is a fortress of decisions.

Peach's stance—facing the viewer with a fixed gaze—is a compositional device that breaks with her traditional canon. There is no smile. No plea. Only a determined, almost defiant look. The treatment of her costume combines baroque elements with metallic details, hinting at a concealed armor. Here, the princess has ceased to be a prisoner of her own story: she has become the sovereign of a complex realm, and perhaps even of herself.

The red moonlight reinforces a dual symbolism: royalty and threat. This lunar red may allude to the awakening of hidden power, a new era, or an inner transformation. The image does not give us answers, but it does raise questions: What has been lost? What has been gained? Who is now in charge of the castle?

Conceptually, this piece offers a contemporary feminist reading. It transforms the archetype of the princess into a figure of autonomy and mystery. Technically, the work balances detail and atmosphere: the perfectly defined face contrasts with the foggy background, creating a visually striking focal point.

"Kingdom of Shadows: The Other Side of the Crown" is more than a decorative image; it is a visual manifesto. This artwork printed on canvas captures the complexity of a female figure who has stopped waiting to start acting. Peach is no longer just a princess: she is a queen of her destiny, in a world where the fairy tale is tinged with a red moon and challenge.