Miguel Ferrer Bolar (1900) - NO RESERVE - Path between pines





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Path between pines, an oil on canvas landscape by Miguel Ferrer Bolar (1900), a Spanish post-impressionist work from 1960–1970, 58 × 68 cm framed, signed, original edition, in very good condition.
Description from the seller
Path among pine trees and a Mediterranean farmhouse.
Post-Impressionist landscaping
Painting school: Spanish school of the 20th century (Mediterranean tradition)
Technical sheet
Author: Miguel Ferrer Bolar (20th century)
Technique: oil on canvas
Measurements: 50 × 61 cm
Measurements with frame: 58 × 68 cm
Signature: Signed “M. Ferrer” in the lower right corner
Condition: Very good, with natural and stable craquelure typical of the technique.
Golden wooden frame of good quality, with a straight profile and slight interior molding, crafted in a sober and elegant manner, matching the work.
2. Compositional and iconographic description
The work depicts a Mediterranean rural landscape articulated by a dirt path that guides the viewer's gaze towards a masía crowned by a tower, partially hidden among pines and native vegetation. The composition is structured through gentle diagonals and balanced tree masses, creating depth and visual serenity. The brushwork is loose but controlled, especially in the foliage, where greens and ochres are enlivened with luminous touches. There is no direct human presence, reinforcing a contemplative and timeless reading of the landscape, understood as an exaltation of the harmony between nature and traditional architecture.
3. Style, School, and Comparative Valuation
Miguel Ferrer Bolar is part of the Spanish landscape painting tradition of the 20th century, with clear affinities to Mediterranean post-impressionism and the Levantine and Catalan schools. His treatment of light and color recalls artists like Eliseu Meifrèn, Joaquim Mir in his more serene aspect, or certain landscapes by Santiago Rusiñol that are distant from symbolism. The work stands out for its chromatic balance, technical solidity, and a friendly, commercial appeal—qualities highly valued in today’s market. It is an honest painting, well-executed and representative of a high-quality Spanish landscape sensibility, making it ideal for both private collections and exhibition contexts with a Mediterranean theme.
Seller's Story
Path among pine trees and a Mediterranean farmhouse.
Post-Impressionist landscaping
Painting school: Spanish school of the 20th century (Mediterranean tradition)
Technical sheet
Author: Miguel Ferrer Bolar (20th century)
Technique: oil on canvas
Measurements: 50 × 61 cm
Measurements with frame: 58 × 68 cm
Signature: Signed “M. Ferrer” in the lower right corner
Condition: Very good, with natural and stable craquelure typical of the technique.
Golden wooden frame of good quality, with a straight profile and slight interior molding, crafted in a sober and elegant manner, matching the work.
2. Compositional and iconographic description
The work depicts a Mediterranean rural landscape articulated by a dirt path that guides the viewer's gaze towards a masía crowned by a tower, partially hidden among pines and native vegetation. The composition is structured through gentle diagonals and balanced tree masses, creating depth and visual serenity. The brushwork is loose but controlled, especially in the foliage, where greens and ochres are enlivened with luminous touches. There is no direct human presence, reinforcing a contemplative and timeless reading of the landscape, understood as an exaltation of the harmony between nature and traditional architecture.
3. Style, School, and Comparative Valuation
Miguel Ferrer Bolar is part of the Spanish landscape painting tradition of the 20th century, with clear affinities to Mediterranean post-impressionism and the Levantine and Catalan schools. His treatment of light and color recalls artists like Eliseu Meifrèn, Joaquim Mir in his more serene aspect, or certain landscapes by Santiago Rusiñol that are distant from symbolism. The work stands out for its chromatic balance, technical solidity, and a friendly, commercial appeal—qualities highly valued in today’s market. It is an honest painting, well-executed and representative of a high-quality Spanish landscape sensibility, making it ideal for both private collections and exhibition contexts with a Mediterranean theme.

