After Paul Gauguin (1848–1903) - Tahitian maternity among palm trees

Tahitian motherhood among palms

Symbolic Post-Impressionism / Modern Primitivism
Painting school: French school of the late century – Circle of Paul Gauguin

Technical sheet

Author: Anonymous, after Paul Gauguin (1848–1903)
Chronology: 20th century, first half
Technique: Oil on canvas
Measurements: 62 × 54 cm
Measurements with frame: 80 × 72 cm
Company: Not visible
Condition: Good, with natural patina of time and slight fold on the right part of the fabric.
Marco: Carved and gilded wooden frame, inspired by historicism, with a floral relief border and a dark inner frame that enhances the chromatic depth of the scene.

2. Compositional and iconographic description

The work depicts a Tahitian scene with female and maternal figures arranged in an idealized landscape, dominated by lush vegetation and flat colors of great intensity.

In the foreground, a female figure holding a child is highlighted, a clear allusion to the theme of sacred and earthly motherhood, recurring in Gauguin's iconography.

The figures appear hieratic, with marked contours and simplified volumes, integrated into a space without academic perspective.

The color — reds, ultramarine blues, greens, and ochres — is used more for its symbolic value than for naturalism, reinforcing the spiritual and timeless dimension of the scene.

The landscape acts as a mythical setting, not a descriptive one, evoking a pristine Arcadia.

3. Style, School, and Comparative Valuation

This painting clearly falls within symbolic Post-Impressionism, directly following the trail of Paul Gauguin and his primitivist language developed in Brittany and, especially, in Tahiti.

The work dialogues with emblematic compositions such as Maternidad or Where Do We Come From? What Are We? Where Are We Going?, sharing the formal simplification and the spiritual load.

Aesthetic affinity can be compared to works of the circle and followers of Gauguin, as well as to artists such as Émile Bernard, Charles Filiger, or, on a more decorative level, to certain approaches of Henri Rousseau.

It is a decorative and evocative piece, honest in its approach as an 'after,' with a strong visual impact and notable appeal for collectors interested in the heritage of modern symbolism and the Gauguin universe.