Dennis Oppenheim (1938 - 2011) - Go Between






Specialises in works on paper and (New) School of Paris artists. Former gallery owner.
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Dennis Oppenheim’s Go Between is a hand-signed limited edition colour offset print from 1978, measuring 75 × 55 cm, produced in the United States and rooted in Conceptual art.
Description from the seller
Go-Between (1977) by Dennis Oppenheim is a compelling colour offset lithograph featuring a sequence of 12 monochrome photographic images accompanied by typed text. The work documents a performance staged in August 1972 in New York City, involving Oppenheim, his wife Phyllis, and participants Kristin and Erik Oppenheim in a 20-minute physical "fist fight". Through this performance, Oppenheim investigates the concept of bodily mediation—using his own and Phyllis’ bodies as conduits for aggression exchanged between Kristin and Erik. The result is a powerful reflection on the physical and psychological boundaries of identity, empathy, and the shared human experience.
This print is hand-signed by Dennis Oppenheim and dated “1977.
Oppenheim, a pioneering figure in conceptual and land art, is known for his radical use of the body and action in art. His work aligns with contemporaries such as Vito Acconci, Bruce Nauman, Chris Burden, Marina Abramović, Joseph Beuys, Yoko Ono, and Allan Kaprow—artists who redefined the body as both medium and message.
The lithograph is a large-format work (74 x 56 cm) in excellent condition, with strong, vivid red tones enhancing the emotional intensity of the composition. This piece exemplifies Oppenheim’s experimental approach during the 1970s and stands as an important visual document of performance art history.
Go-Between (1977) by Dennis Oppenheim is a compelling colour offset lithograph featuring a sequence of 12 monochrome photographic images accompanied by typed text. The work documents a performance staged in August 1972 in New York City, involving Oppenheim, his wife Phyllis, and participants Kristin and Erik Oppenheim in a 20-minute physical "fist fight". Through this performance, Oppenheim investigates the concept of bodily mediation—using his own and Phyllis’ bodies as conduits for aggression exchanged between Kristin and Erik. The result is a powerful reflection on the physical and psychological boundaries of identity, empathy, and the shared human experience.
This print is hand-signed by Dennis Oppenheim and dated “1977.
Oppenheim, a pioneering figure in conceptual and land art, is known for his radical use of the body and action in art. His work aligns with contemporaries such as Vito Acconci, Bruce Nauman, Chris Burden, Marina Abramović, Joseph Beuys, Yoko Ono, and Allan Kaprow—artists who redefined the body as both medium and message.
The lithograph is a large-format work (74 x 56 cm) in excellent condition, with strong, vivid red tones enhancing the emotional intensity of the composition. This piece exemplifies Oppenheim’s experimental approach during the 1970s and stands as an important visual document of performance art history.
