Martin Bradley (1931) - Untitled, 1992, from the "Suite Olympic Centennial"





| €20 |
|---|
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 123609 reviews
Rated Excellent on Trustpilot.
Description from the seller
MARTIN BRADLEY (Richmond, England, 1931), Untitled, 1992, from the 'Suite Olympic Centennial'.
Title - Untitled, 1992, from the "Suite Olympic Centennial".
Medium - Silkscreen on 270 gram Vélin d'Arches paper.
Limited Edition
Edition number - Copy P.A. 35/50.
Signature - Signed and justified by hand.
Measurements - 90 x 63 cm.
Condition – Excellent condition
References:
These serigraphs were created for the series published by the International Olympic Committee on the occasion of the centenary of the modern Olympics in 1992.
Printed in 1992 to celebrate the 100th anniversary of the Olympic Games. All the prints in this collection are stamped by the Olympic Committee. This collection of prints can be found in the permanent collection of the Olympic Museum in Lausanne.
With a rebellious spirit, Martin Bradley began his career as an artist at a very early age, settling in London in 1949. In the mid-50s, Bradley became friends with the writers of the group 'The Angry Young Men,' transcendental writers within the British literary renewal, meeting there other young painters, such as Philip Martin or Alan Davie. In 1961, he received a scholarship to settle in Brazil, where he achieved great success and which led him to exhibit, upon his return to Europe, in the historic exhibition 'Arte e Contemplazione' at the Palazzo Grassi in Venice. After his success in Italy and Spain, Bradley traveled the world, crossing Turkey, Afghanistan, India, and Nepal, becoming fascinated by the Far East. Initially, the work of this artist shows a self-destructive tendency, although it evolves into pieces with fresh craftsmanship, vivid colors, extreme fantasy, and sympathetic appearance, resulting in works that are part of the English Pop movement. However, contrasting this positivism, a series of graphics, signs, and symbologies that allude to critiques of traditional customs and reflections on the passage of time are perceived, characteristics that make Bradley's paintings tremendously interesting works full of nuances.
MARTIN BRADLEY (Richmond, England, 1931), Untitled, 1992, from the 'Suite Olympic Centennial'.
Title - Untitled, 1992, from the "Suite Olympic Centennial".
Medium - Silkscreen on 270 gram Vélin d'Arches paper.
Limited Edition
Edition number - Copy P.A. 35/50.
Signature - Signed and justified by hand.
Measurements - 90 x 63 cm.
Condition – Excellent condition
References:
These serigraphs were created for the series published by the International Olympic Committee on the occasion of the centenary of the modern Olympics in 1992.
Printed in 1992 to celebrate the 100th anniversary of the Olympic Games. All the prints in this collection are stamped by the Olympic Committee. This collection of prints can be found in the permanent collection of the Olympic Museum in Lausanne.
With a rebellious spirit, Martin Bradley began his career as an artist at a very early age, settling in London in 1949. In the mid-50s, Bradley became friends with the writers of the group 'The Angry Young Men,' transcendental writers within the British literary renewal, meeting there other young painters, such as Philip Martin or Alan Davie. In 1961, he received a scholarship to settle in Brazil, where he achieved great success and which led him to exhibit, upon his return to Europe, in the historic exhibition 'Arte e Contemplazione' at the Palazzo Grassi in Venice. After his success in Italy and Spain, Bradley traveled the world, crossing Turkey, Afghanistan, India, and Nepal, becoming fascinated by the Far East. Initially, the work of this artist shows a self-destructive tendency, although it evolves into pieces with fresh craftsmanship, vivid colors, extreme fantasy, and sympathetic appearance, resulting in works that are part of the English Pop movement. However, contrasting this positivism, a series of graphics, signs, and symbologies that allude to critiques of traditional customs and reflections on the passage of time are perceived, characteristics that make Bradley's paintings tremendously interesting works full of nuances.

