Lou Atmån - Ambre - sans titre 03






Over 35 years' experience; former gallery owner and Museum Folkwang curator.
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Description from the seller
This photograph from the 'Ambre' series was created by the artist in 2025. It is offered exclusively on the Catawiki website. It is available as an Art print on FineArt Platinum Fibre paper. This print features the look and feel of the renowned baryta paper combined with pure white, which has made the reputation of the greatest photographers. It is a 100% cotton, museum-quality paper that provides deep blacks and exceptional color reproduction. It is particularly suitable for demanding fine art photography. This signed print, measuring 40x32 cm, is part of a limited edition (/25). It comes with a certificate of authenticity.
The artist has exhibited in numerous contemporary art salons in France and abroad. Her recognized photographic work is part of private collections. She has received international awards, granting her recognition in the art community.
Amber series
In an aquatic ballet, a woman with fiery hair, adorned in a diaphanous dress, seems to blend with the blue and luminous wave surrounding her. Every movement, imbued with grace, evokes a nereid dancing in the depths, where mystery and beauty intertwine. The transparency of her dress caresses the water, revealing a delicate sensuality, while the light plays on her silhouette with subtle, enchanting poetry. A suspended scene, between dream and reality, where elegance flirts with eternity.
Lou's photographs resemble riddles. The bodies are fragmented, blurred; they reveal themselves or hide, playing with what we know of them to tell something else. But tell what? First of all, impressions: in the Opaline series, the fleeting happiness of an apparition, that of a solitary landscape fragment stolen from darkness [...] What truly remains of the body is the eroticism of this photographed skin, with much modesty, like a caress, delicate as a whisper. By becoming only pure form, pure image composition, its surface expresses the invisible that animates it but refuses to name it. It merely seeks the gaze, this quest for the gaze as metamorphosis.
Hannibal Volkoff – exhibition commissioner
This photograph from the 'Ambre' series was created by the artist in 2025. It is offered exclusively on the Catawiki website. It is available as an Art print on FineArt Platinum Fibre paper. This print features the look and feel of the renowned baryta paper combined with pure white, which has made the reputation of the greatest photographers. It is a 100% cotton, museum-quality paper that provides deep blacks and exceptional color reproduction. It is particularly suitable for demanding fine art photography. This signed print, measuring 40x32 cm, is part of a limited edition (/25). It comes with a certificate of authenticity.
The artist has exhibited in numerous contemporary art salons in France and abroad. Her recognized photographic work is part of private collections. She has received international awards, granting her recognition in the art community.
Amber series
In an aquatic ballet, a woman with fiery hair, adorned in a diaphanous dress, seems to blend with the blue and luminous wave surrounding her. Every movement, imbued with grace, evokes a nereid dancing in the depths, where mystery and beauty intertwine. The transparency of her dress caresses the water, revealing a delicate sensuality, while the light plays on her silhouette with subtle, enchanting poetry. A suspended scene, between dream and reality, where elegance flirts with eternity.
Lou's photographs resemble riddles. The bodies are fragmented, blurred; they reveal themselves or hide, playing with what we know of them to tell something else. But tell what? First of all, impressions: in the Opaline series, the fleeting happiness of an apparition, that of a solitary landscape fragment stolen from darkness [...] What truly remains of the body is the eroticism of this photographed skin, with much modesty, like a caress, delicate as a whisper. By becoming only pure form, pure image composition, its surface expresses the invisible that animates it but refuses to name it. It merely seeks the gaze, this quest for the gaze as metamorphosis.
Hannibal Volkoff – exhibition commissioner
