Ettore Cedraschi (1909-1996) - Busto






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Italian sculptor Ettore Cedraschi (1909–1996) created the bronze sculpture 'Busto' in a limited and numbered edition 6/500; it is in excellent condition and signed, in the Realism style, with dimensions 31 cm high, 9 cm wide and 9 cm deep.
Description from the seller
A sculpture by Italian sculptor Ettore Cedraschi (1909–1996), "Busto di donna" in a limited edition, numbered 6/500.
Her works are on display at the Civic Museums of Viggiù.
As reported on the Civic Museums' website: 'at eighteen he begins to work in Milan with established artists, and in the 1930s, in partnership with his brothers, he opens an artisanal workshop in which sculptures commissioned by other artists and by the Fabbrica del Duomo are turned into marble.'
After World War II he manages to start a small side business, working in a small studio in Milan: in 1960 he leaves the collaboration with his brothers and, now embedded in the Milanese scene, participates in numerous group exhibitions at La Permanente.
Of his vast body of work, always characterized by a classical, linear hatchwork and the composure of forms, one recalls the bronze and terracotta portraits, the Monuments to the Fallen and Seven Statues for the Cathedral: four for the altar of St. Giovanni Bono and, on the exterior, St. Nicholas of Flüe on the right flank, St. Camillus de Lellis for a spire, and St. Riccardo Pampuri on the north transept.
A sculpture by Italian sculptor Ettore Cedraschi (1909–1996), "Busto di donna" in a limited edition, numbered 6/500.
Her works are on display at the Civic Museums of Viggiù.
As reported on the Civic Museums' website: 'at eighteen he begins to work in Milan with established artists, and in the 1930s, in partnership with his brothers, he opens an artisanal workshop in which sculptures commissioned by other artists and by the Fabbrica del Duomo are turned into marble.'
After World War II he manages to start a small side business, working in a small studio in Milan: in 1960 he leaves the collaboration with his brothers and, now embedded in the Milanese scene, participates in numerous group exhibitions at La Permanente.
Of his vast body of work, always characterized by a classical, linear hatchwork and the composure of forms, one recalls the bronze and terracotta portraits, the Monuments to the Fallen and Seven Statues for the Cathedral: four for the altar of St. Giovanni Bono and, on the exterior, St. Nicholas of Flüe on the right flank, St. Camillus de Lellis for a spire, and St. Riccardo Pampuri on the north transept.
