École naturaliste (c. 1820) - Portrait d’une dame





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Oil on panel portrait titled Portrait d’une dame by the École naturaliste, dating to the early 19th century in France, framed and measuring 23 × 20 cm.
Description from the seller
Oil on board.
European School, in the first third of the 19th century.
Framed artwork on display.
Elegant female portrait painted in oil on panel, belonging to the European school of the first third of the 19th century, within the tradition of academic and bourgeois portraiture. The work depicts a seated woman, dressed in sober attire and a white lace cap, in a serene and restrained pose, characteristic of the nineteenth-century domestic portrait.
The painting stands out for its notable technical quality, especially in the handling of the face, resolved with great delicacy and precision in the flesh tones, as well as in the meticulous description of the lace, fabrics and details of the clothing. The drawing is solid and balanced, and the composition conveys sobriety and dignity, avoiding any theatrical artifice.
The dark and neutral background enhances the figure and centers attention on the model's expression, achieving an intimate and timeless image. The careful execution, based on thin layers and glazes, is typical of an academically trained painter, fully formed, prior to the emergence of modern languages.
The work is presented framed, in a gold frame appropriate to the period, which contributes to its proper aesthetic reading.
A piece of great interest to collectors of antique portraiture, nineteenth-century European painting, and works of a historical and decorative nature, with an elegant presence and evident pictorial quality.
Seller's Story
Oil on board.
European School, in the first third of the 19th century.
Framed artwork on display.
Elegant female portrait painted in oil on panel, belonging to the European school of the first third of the 19th century, within the tradition of academic and bourgeois portraiture. The work depicts a seated woman, dressed in sober attire and a white lace cap, in a serene and restrained pose, characteristic of the nineteenth-century domestic portrait.
The painting stands out for its notable technical quality, especially in the handling of the face, resolved with great delicacy and precision in the flesh tones, as well as in the meticulous description of the lace, fabrics and details of the clothing. The drawing is solid and balanced, and the composition conveys sobriety and dignity, avoiding any theatrical artifice.
The dark and neutral background enhances the figure and centers attention on the model's expression, achieving an intimate and timeless image. The careful execution, based on thin layers and glazes, is typical of an academically trained painter, fully formed, prior to the emergence of modern languages.
The work is presented framed, in a gold frame appropriate to the period, which contributes to its proper aesthetic reading.
A piece of great interest to collectors of antique portraiture, nineteenth-century European painting, and works of a historical and decorative nature, with an elegant presence and evident pictorial quality.

