ÇEM - Rendez-vous

In Rendez-vous, the artist constructs a scene that seems intimate but is threaded with a continuous underground tension. The two characters are physically close, seated at the same table, but psychologically distant: the woman in red gazes outward, as if attracted or drawn toward something that is not the man opposite her, while the man, rigid, watches her with an expression suspended between anticipation and bewilderment. The real 'meeting,' the painting suggests, is a suspended moment,

Color is the first emotional vehicle. The red of the woman's jacket becomes the visual focal point of the work, a warm, vital, almost unsettling presence, which stands out against the deep blue of the night background. This chromatic contrast is not merely aesthetic: the red suggests desire, urgency, inner life; blue, instead, evokes distance, silence, a night that enfolds and isolates. It is as if the two inhabited the same scene but with two different emotional climates.

The imagery is of night-time cafés, bars, suspended encounters. It immediately brings to mind Hopper’s Nighthawks: people close together yet isolated, immersed in an artificial light that creates a theater of the soul. Here, however, there is more unease: Hopper is cold and geometric, this painting is more visceral, painterly, nervous.

The small glass on the table, almost banal, thus takes on symbolic value: it is the only real object that unites them, a fragile center around which a failed dialogue revolves. Rendez-vous does not tell a romantic encounter, but the precise moment when two people realize they are together without really being so. It is a painting about emotional distance, disguised as physical closeness, rendered with an intense, nocturnal, and deeply human painterly language.

Shipping the item:

Sold directly from the artist, signed work, certificate of authenticity available upon request.
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