Dikhotomy - Sacred Discipline - No Reserve - Unique Edition






Over 10 years' experience in art trade and previously founded his own gallery.
| €50 | ||
|---|---|---|
| €44 | ||
| €35 | ||
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Dikhotomy presents Sacred Discipline - No Reserve - Unique Edition, a 50 × 70 cm giclée digital print on 350 gsm cotton canvas, hand-signed on the back, numbered 1/1 and accompanied by a certificate of authenticity.
Description from the seller
● Exclusive Unique Edition (1/1) – Giclée print on 350 gsm cotton canvas, full size 50 × 70 cm.
The image itself measures 40 × 60 cm and is printed with 5 cm. white margins on all sides, allowing for a clean, professional mounting without cropping the artwork. Perfect for framing or stretching. The artwork is hand-signed on the back by the artist and includes a stamped seal and a certificate of authenticity (COA).
/// "The portrait is built from an absolute stillness that conveys not peace but control, the figure holds the weapon with the same serenity as the habit, and this equivalence turns devotion into latent tension, the portrait adopts a classical frontality while introducing a silent threat that forces the viewer to remain alert."///
● A unique collector’s experience – After your purchase, you’ll receive a digital certificate via email. Inside the package, you’ll also find a printed card signed by hand, along with an exclusive certificate containing full artist details and proof of authenticity.
● Secure & eco-friendly packaging – Carefully rolled into a recyclable cardboard tube and placed inside a rigid box for extra protection. Insured shipping with tracking number. Orders are prepared within 24–48 hours. Estimated delivery: 3–5 business days within Europe, 5–7 days internationally.
● About the Artist:
Original work by Nando López, a digital artist based in Barcelona. Trained in advertising design, he began his career in agencies and design studios before fully transitioning into fashion illustration, collaborating with internationally recognized brands.
● About the Dikhotomy Project:
For the past four years, Dikhotomy has been an ongoing series of digital collages and illustrations where classical art and contemporary culture collide unapologetically. Fragments of art history blend with pop elements, visual irony, and cultural critique to provoke both reflection and amusement.
Each piece is the result of a creative clash between handcrafted digital editing and AI-powered tools (midjourney and recraft) merging the human and the technological. Influenced by pop art and urban art, Dikhotomy is a deliberate parody of the art world and an invitation to view it from a new perspective.
● Highlights:
— Confirmed solo exhibition at Gamla Kraftstationen Gallery (Sweden), 1 May – 28 September 2025.
— Upcoming digital show: “Lost in Alteration” at the Digital Horizons Museum, 25–28 October 2025.
— His illustration “I am Jesus” was featured on the cover of Newsweek (Polish edition), further establishing his international reach.
— In addition to exhibiting at fairs and galleries, he collaborates with interior design and concept stores in Spain, France, Belgium, and Norway.
Inspiration: contemporary art, figurative painting, religious portrait, sacred iconography, armed faith, unsettling devotion, restrained gesture, tense silence, spiritual discipline, symbolic power, latent threat, frontal composition, dark background, baroque aesthetic, female portrait, fixed gaze, severe calm, psychological tension, narrative painting, religious symbolism, sacred profane clash, visual order, precise gesture, silent authority, slow painting, painterly texture, sober palette, restrained atmosphere, conceptual art, art history remix, contemporary icon, ironic portrait, institutional critique, faith as control, european aesthetic, museum art, collectible art, museum portrait, uncomfortable spirituality, armed silence, violent purity, timeless painting, francisco de zurbaran, jose de ribera, early bartolome esteban murillo, late caravaggio, neopop art, parody mash up, pop art, georges de la tour, guido reni, artemisia gentileschi, antonio de pereda, philippe de champaigne, hans holbein the younger, juan sanchez cotan, baroque painting, severe realism, devotional portrait, gallery art, dark classicism
● Exclusive Unique Edition (1/1) – Giclée print on 350 gsm cotton canvas, full size 50 × 70 cm.
The image itself measures 40 × 60 cm and is printed with 5 cm. white margins on all sides, allowing for a clean, professional mounting without cropping the artwork. Perfect for framing or stretching. The artwork is hand-signed on the back by the artist and includes a stamped seal and a certificate of authenticity (COA).
/// "The portrait is built from an absolute stillness that conveys not peace but control, the figure holds the weapon with the same serenity as the habit, and this equivalence turns devotion into latent tension, the portrait adopts a classical frontality while introducing a silent threat that forces the viewer to remain alert."///
● A unique collector’s experience – After your purchase, you’ll receive a digital certificate via email. Inside the package, you’ll also find a printed card signed by hand, along with an exclusive certificate containing full artist details and proof of authenticity.
● Secure & eco-friendly packaging – Carefully rolled into a recyclable cardboard tube and placed inside a rigid box for extra protection. Insured shipping with tracking number. Orders are prepared within 24–48 hours. Estimated delivery: 3–5 business days within Europe, 5–7 days internationally.
● About the Artist:
Original work by Nando López, a digital artist based in Barcelona. Trained in advertising design, he began his career in agencies and design studios before fully transitioning into fashion illustration, collaborating with internationally recognized brands.
● About the Dikhotomy Project:
For the past four years, Dikhotomy has been an ongoing series of digital collages and illustrations where classical art and contemporary culture collide unapologetically. Fragments of art history blend with pop elements, visual irony, and cultural critique to provoke both reflection and amusement.
Each piece is the result of a creative clash between handcrafted digital editing and AI-powered tools (midjourney and recraft) merging the human and the technological. Influenced by pop art and urban art, Dikhotomy is a deliberate parody of the art world and an invitation to view it from a new perspective.
● Highlights:
— Confirmed solo exhibition at Gamla Kraftstationen Gallery (Sweden), 1 May – 28 September 2025.
— Upcoming digital show: “Lost in Alteration” at the Digital Horizons Museum, 25–28 October 2025.
— His illustration “I am Jesus” was featured on the cover of Newsweek (Polish edition), further establishing his international reach.
— In addition to exhibiting at fairs and galleries, he collaborates with interior design and concept stores in Spain, France, Belgium, and Norway.
Inspiration: contemporary art, figurative painting, religious portrait, sacred iconography, armed faith, unsettling devotion, restrained gesture, tense silence, spiritual discipline, symbolic power, latent threat, frontal composition, dark background, baroque aesthetic, female portrait, fixed gaze, severe calm, psychological tension, narrative painting, religious symbolism, sacred profane clash, visual order, precise gesture, silent authority, slow painting, painterly texture, sober palette, restrained atmosphere, conceptual art, art history remix, contemporary icon, ironic portrait, institutional critique, faith as control, european aesthetic, museum art, collectible art, museum portrait, uncomfortable spirituality, armed silence, violent purity, timeless painting, francisco de zurbaran, jose de ribera, early bartolome esteban murillo, late caravaggio, neopop art, parody mash up, pop art, georges de la tour, guido reni, artemisia gentileschi, antonio de pereda, philippe de champaigne, hans holbein the younger, juan sanchez cotan, baroque painting, severe realism, devotional portrait, gallery art, dark classicism
