Spanish school (XIX) - Ritratto antropomorfo






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Ritratto antropomorfo, an oil on canvas portrait by the Spanish school of the 19th century (1850), Spain, 70 × 58.5 cm, with frame.
Description from the seller
19th-Century Spanish School
Anthropomorphic portrait
Oil on canvas, period 1800–1850
Presentation of the painting
The painting depicts an anthropomorphic portrait of a dog, probably a bulldog or a small mastiff, shown with a solemn bearing and dressed according to Renaissance or late 16th-century fashion. The animal wears a sumptuous red damask suit, enriched by a white ruff and a long chain with a pendant, elements typical of official noble portraiture.
The pose, strongly theatrical, recalls the models of the status portrait: one hand rests on the chest in a gesture of dignity and self-awareness, while the other holds a fan or a ceremonial object. The animal's face, rendered with extraordinary naturalistic attention, retains a melancholic and interrogative expression that intensifies the sense of estrangement.
The background is split between an open landscape and a dark drapery, a classic solution that harks back to official painting between the Cinquecento and Seicento, and that helps place the figure in a sphere of power and representation. The rendering of fabrics, embroidery, and painted surfaces, however, suggests an eighteenth/nineteenth-century realization, when the rediscovery of ancient painting often intertwined with a taste for learned caricature and moral allegory.
The work fits into an iconographic tradition that uses the anthropomorphized animal as a satirical mirror of society. The dog, an ambivalent symbol of loyalty, obedience but also of attachment to power, becomes here the protagonist of a refined visual irony: the nobility of the portrait is at once celebrated and called into question.
Overall, the painting appears as a perceptive play between the past and parody, capable of fusing technical skill, historical quotation, and a subtle critique of social codes. A work that engages in dialogue with the European painting tradition and that invites the observer to reflect on the boundary – always unstable – between identity, representation, and mask.
Measurements: 70 x 58.5 cm in a contemporaneous frame.
Canvas: 60 x 50 cm
From a private collection
Condition: Good, with normal signs of aging.
* The included frame is attached as a complimentary gift.
Ideal for collecting and investing.
With a certificate of authenticity in accordance with the law - Expertise
Professional packaging and insured shipping.
Seller's Story
19th-Century Spanish School
Anthropomorphic portrait
Oil on canvas, period 1800–1850
Presentation of the painting
The painting depicts an anthropomorphic portrait of a dog, probably a bulldog or a small mastiff, shown with a solemn bearing and dressed according to Renaissance or late 16th-century fashion. The animal wears a sumptuous red damask suit, enriched by a white ruff and a long chain with a pendant, elements typical of official noble portraiture.
The pose, strongly theatrical, recalls the models of the status portrait: one hand rests on the chest in a gesture of dignity and self-awareness, while the other holds a fan or a ceremonial object. The animal's face, rendered with extraordinary naturalistic attention, retains a melancholic and interrogative expression that intensifies the sense of estrangement.
The background is split between an open landscape and a dark drapery, a classic solution that harks back to official painting between the Cinquecento and Seicento, and that helps place the figure in a sphere of power and representation. The rendering of fabrics, embroidery, and painted surfaces, however, suggests an eighteenth/nineteenth-century realization, when the rediscovery of ancient painting often intertwined with a taste for learned caricature and moral allegory.
The work fits into an iconographic tradition that uses the anthropomorphized animal as a satirical mirror of society. The dog, an ambivalent symbol of loyalty, obedience but also of attachment to power, becomes here the protagonist of a refined visual irony: the nobility of the portrait is at once celebrated and called into question.
Overall, the painting appears as a perceptive play between the past and parody, capable of fusing technical skill, historical quotation, and a subtle critique of social codes. A work that engages in dialogue with the European painting tradition and that invites the observer to reflect on the boundary – always unstable – between identity, representation, and mask.
Measurements: 70 x 58.5 cm in a contemporaneous frame.
Canvas: 60 x 50 cm
From a private collection
Condition: Good, with normal signs of aging.
* The included frame is attached as a complimentary gift.
Ideal for collecting and investing.
With a certificate of authenticity in accordance with the law - Expertise
Professional packaging and insured shipping.
