Jan de Beus (1958) - Malibu Canyon III





| €275 | ||
|---|---|---|
| €221 | ||
| €201 |
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Jan de Beus, Malibu Canyon III, oil on canvas, 56 by 46 cm, signed on the reverse, 1991, original edition, sold with frame, Netherlands, Abstract Expressionism.
Description from the seller
Jan de Beus
Malibu Canyon III
oil paint on canvas
56 x 46 cm.
Signed on the back. 1991
Jan de Beus, painter between figuration and abstraction
De Muiderberg artist Jan de Beus needs no lengthy introduction. In the 1980s, he was part of the Neue Wilden, an art movement primarily supported by German artists, but which also attracted some Dutch artists. After his period with the Neue Wilden, he developed a completely personal style. He describes himself as 'a classical painter.' His art reflects a continuation of old art traditions. He painted subjects such as landscapes, portraits, and nudes, some of which are derived from historical art themes. For example, he created series of landscapes and cityscapes featuring subjects like Muiderberg, Berlin, Canterbury Cathedral, or the Andreaskerk in Katwijk. His thick and organic manner of working gives his paintings a unique identity. He also created paintings inspired by biblical themes, such as the crucifixion of Christ, works that confront the viewer in an intense way with suffering.
Seller's Story
Jan de Beus
Malibu Canyon III
oil paint on canvas
56 x 46 cm.
Signed on the back. 1991
Jan de Beus, painter between figuration and abstraction
De Muiderberg artist Jan de Beus needs no lengthy introduction. In the 1980s, he was part of the Neue Wilden, an art movement primarily supported by German artists, but which also attracted some Dutch artists. After his period with the Neue Wilden, he developed a completely personal style. He describes himself as 'a classical painter.' His art reflects a continuation of old art traditions. He painted subjects such as landscapes, portraits, and nudes, some of which are derived from historical art themes. For example, he created series of landscapes and cityscapes featuring subjects like Muiderberg, Berlin, Canterbury Cathedral, or the Andreaskerk in Katwijk. His thick and organic manner of working gives his paintings a unique identity. He also created paintings inspired by biblical themes, such as the crucifixion of Christ, works that confront the viewer in an intense way with suffering.

