Eberhard Schlotter (1921–2014) - Estudio de paisaje

A watercolor that represents a landscape of essential and contemplative character, articulated through gentle hills and broad atmospheric zones, where the artist deliberately dispenses with detail to focus on capturing light, space, and the sense of silence. The composition is built from large color planes and subtle color transitions, with a restrained palette dominated by muted greens, grays, and earthy glazes, contrasted with a clear sky that adds depth and balance to the whole.

The technique reveals a notable mastery of the watercolor medium, with well-controlled transparencies, delicate overlays, and a fluid brushstroke that reinforce the poetic and almost meditative character of the scene. The landscape does not seek a literal description, but an intellectualized interpretation of the territory, in which the rhythm of the forms and the atmosphere assume absolute prominence.

The work is fully embedded in the humanist figurative language developed by Eberhard Schlotter (1921–2014), a German painter and printmaker of recognized prestige, closely linked to Spain since the mid-20th century. Schlotter resided for decades in Altea (Alicante), where he developed a fundamental part of his artistic production, deeply influenced by the Mediterranean landscape, classical tradition, and an intellectual conception of painting, distant from passing fashions. His work, valued in both the German and Spanish markets, is characterized by compositional rigor, excellence in drawing, and a restrained sensitivity rooted in humanism.

It comes from a private collection in Altea, a circumstance that reinforces its direct link to the artist's vital and creative surroundings. A piece particularly attractive for collectors of 20th-century watercolor, graphic works, and postwar European figurative painting, as well as for followers of Schlotter's work and of the Mediterranean art scene.