École expressionniste européenne (XX) - Verticalités végétales





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Description from the seller
Oil painting with a strong expressionist imprint, realized through broad brushstrokes, thick with material and great gestural intensity. The work is articulated around a dominant vertical rhythm that evokes an interiorized, almost organic landscape, where figurative reference is deliberately dissolved in favor of emotion and painterly impulse.
Color takes on here a structural and leading role: deep greens, vibrant yellows, violets, and ochres overlap in dense layers, creating a living, dynamic chromatic field. The application of oil paint, generous and unabashed, reinforces a sense of contained energy, movement, and tension, very characteristic of material painting from the mid-20th century.
From a stylistic standpoint, the work engages in dialogue with European abstract expressionism, showing clear affinities with informalism and tachism, especially in the use of gesture as an expressive vehicle and in the importance given to texture. The aim is not literal representation, but the transmission of a direct visual and emotional experience, almost physical.
The composition, apparently free, maintains a carefully studied internal balance between density and void, between zones of intense impasto and areas where the color breathes. This control of pictorial chaos reveals an experienced hand and a mature pictorial language.
It is a work of strong decorative impact and presence, capable of transforming the space in which it is displayed, especially suited for collectors and enthusiasts of bold contemporary painting, as well as for interiors where a piece with personality, depth, and its own artistic discourse is valued.
Seller's Story
Oil painting with a strong expressionist imprint, realized through broad brushstrokes, thick with material and great gestural intensity. The work is articulated around a dominant vertical rhythm that evokes an interiorized, almost organic landscape, where figurative reference is deliberately dissolved in favor of emotion and painterly impulse.
Color takes on here a structural and leading role: deep greens, vibrant yellows, violets, and ochres overlap in dense layers, creating a living, dynamic chromatic field. The application of oil paint, generous and unabashed, reinforces a sense of contained energy, movement, and tension, very characteristic of material painting from the mid-20th century.
From a stylistic standpoint, the work engages in dialogue with European abstract expressionism, showing clear affinities with informalism and tachism, especially in the use of gesture as an expressive vehicle and in the importance given to texture. The aim is not literal representation, but the transmission of a direct visual and emotional experience, almost physical.
The composition, apparently free, maintains a carefully studied internal balance between density and void, between zones of intense impasto and areas where the color breathes. This control of pictorial chaos reveals an experienced hand and a mature pictorial language.
It is a work of strong decorative impact and presence, capable of transforming the space in which it is displayed, especially suited for collectors and enthusiasts of bold contemporary painting, as well as for interiors where a piece with personality, depth, and its own artistic discourse is valued.

