Luis Antonio Gonzalez - El peso de las horas






Holds a bachelor’s degree in art history and a master’s degree in arts and cultural management.
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Luis Antonio González presents the 2025 original charcoal portrait El peso de las horas, measuring 31 by 22 cm, created in Spain with artisanal materials by the artist, signed by hand, in excellent condition, and shipped in a transport tube.
Description from the seller
Luis Antonio González
(Artisanal materials crafted by the artist himself)
In the weight of the hours, Luis Antonio González presents a portrait that does not measure time by clocks, but by body, memory, and emotional wear. The work sits in that suspended moment where the passage of hours ceases to be abstract and becomes physical: the gaze cast downward, the tension held in the face, the skin that seems to absorb every lived experience.
The figure emerges from a restrained, earthy, and muted palette, where chromatic nuances do not seek immediate drama, but persistence. Time here does not intrude: it settles. Each painterly layer acts as a sedimentation of moments, reinforced by the use of artisanal materials created by the artist themselves, a gesture that directly links process, concept, and the final result. The material is not merely a support: it is discourse.
The graphic signs and symbolic marks integrated into the head and neck function as traces of time, almost like ritual scars or internal maps. They are not ornaments, but footprints. The face is not offered to the spectator: it withdraws, it protects itself, bearing the density of what has been lived. This emotional restraint is one of the greatest achievements of the work, which avoids explicit narrative to operate through suggestion.
From a contemporary perspective, The Weight of the Hours engages with universal themes such as existential fatigue, identity shaped by experience, and the relationship between time and the body. The work is rooted in an intimate and reflective figurative approach, with a distinctive voice clearly recognizable within the current landscape.
For the collector, this piece represents a unique opportunity to acquire a work that is deeply honest, with a strong conceptual charge and authentic materiality. Its introspective character, together with the singularity of the materials and the artist's technical rigor, makes it a piece of high value both aesthetically and discursively, ideal for collections seeking works with narrative, depth, and permanence.
The weight of the hours does not illustrate the passage of time: it embodies it.
It is a work that imposes itself slowly, that accompanies, that endures.
An image that is not consumed in the first glance, but grows with each one of them.
The artwork is shipped in a transport tube to ensure maximum safety and integrity of the piece.
Luis Antonio González
(Artisanal materials crafted by the artist himself)
In the weight of the hours, Luis Antonio González presents a portrait that does not measure time by clocks, but by body, memory, and emotional wear. The work sits in that suspended moment where the passage of hours ceases to be abstract and becomes physical: the gaze cast downward, the tension held in the face, the skin that seems to absorb every lived experience.
The figure emerges from a restrained, earthy, and muted palette, where chromatic nuances do not seek immediate drama, but persistence. Time here does not intrude: it settles. Each painterly layer acts as a sedimentation of moments, reinforced by the use of artisanal materials created by the artist themselves, a gesture that directly links process, concept, and the final result. The material is not merely a support: it is discourse.
The graphic signs and symbolic marks integrated into the head and neck function as traces of time, almost like ritual scars or internal maps. They are not ornaments, but footprints. The face is not offered to the spectator: it withdraws, it protects itself, bearing the density of what has been lived. This emotional restraint is one of the greatest achievements of the work, which avoids explicit narrative to operate through suggestion.
From a contemporary perspective, The Weight of the Hours engages with universal themes such as existential fatigue, identity shaped by experience, and the relationship between time and the body. The work is rooted in an intimate and reflective figurative approach, with a distinctive voice clearly recognizable within the current landscape.
For the collector, this piece represents a unique opportunity to acquire a work that is deeply honest, with a strong conceptual charge and authentic materiality. Its introspective character, together with the singularity of the materials and the artist's technical rigor, makes it a piece of high value both aesthetically and discursively, ideal for collections seeking works with narrative, depth, and permanence.
The weight of the hours does not illustrate the passage of time: it embodies it.
It is a work that imposes itself slowly, that accompanies, that endures.
An image that is not consumed in the first glance, but grows with each one of them.
The artwork is shipped in a transport tube to ensure maximum safety and integrity of the piece.
