Italian school (XIX) - Ritratto donna





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Unsigned oil on canvas portrait of a woman in a classical European School style from the 19th century, 40 × 30 cm, origin Europe, with an original gilded frame.
Description from the seller
Author: anonymous
School: European
Era: 19th century (first half)
Portrait of a woman, oil on canvas.
Format: oval within a rectangular frame
Canvas dimensions (estimate): approx. 40 × 30 cm
Frame: an important contemporary frame in gilded and carved wood.
Female portrait by an anonymous author, attributable to European production of the first half of the 19th century. The figure is depicted bust-length, with a frontal pose and a neutral background, in accordance with a compositional setup typical of nineteenth-century bourgeois portraiture.
The face, rendered with careful attention to the facial features and to the direct gaze, shows a good level of execution, with particular care in the rendering of the skin tone and the details of the clothing. The choice of the oval format, common in period portraiture, helps confer on the work an intimate and restrained character.
The painting is set in an original contemporaneous frame, finely carved and gilded, which enhances its decorative value and attests to the work's representational purpose.
Condition: fair to good, with signs of aging and light oxidation of the painted surface consistent with the painting's age.
A work of historic-decorative interest, suitable for collectors of old paintings and for classical-style interiors.
Author: anonymous
School: European
Era: 19th century (first half)
Portrait of a woman, oil on canvas.
Format: oval within a rectangular frame
Canvas dimensions (estimate): approx. 40 × 30 cm
Frame: an important contemporary frame in gilded and carved wood.
Female portrait by an anonymous author, attributable to European production of the first half of the 19th century. The figure is depicted bust-length, with a frontal pose and a neutral background, in accordance with a compositional setup typical of nineteenth-century bourgeois portraiture.
The face, rendered with careful attention to the facial features and to the direct gaze, shows a good level of execution, with particular care in the rendering of the skin tone and the details of the clothing. The choice of the oval format, common in period portraiture, helps confer on the work an intimate and restrained character.
The painting is set in an original contemporaneous frame, finely carved and gilded, which enhances its decorative value and attests to the work's representational purpose.
Condition: fair to good, with signs of aging and light oxidation of the painted surface consistent with the painting's age.
A work of historic-decorative interest, suitable for collectors of old paintings and for classical-style interiors.

