Jean Cocteau (1889-1963) - Les poissons






Specialises in works on paper and (New) School of Paris artists. Former gallery owner.
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Jean Cocteau, Les poissons, a signed artist’s proof on thick cream art paper, 27 × 32 cm, in a limited edition from 1940–1950, created in mixed media with a portrait subject and from France.
Description from the seller
Jean Cocteau, “the fish” - Signed Artist Proof. 27x32 cm
Signed Artist Proof, on thick cream art paper, with uneven edges. This drawing by Jean Cocteau embodies the poetry and freedom of his artistic universe.
We recognize his clean, almost instinctive stroke, drawing a human profile of great simplicity.
Inside this face appear stylized fish, richly decorated with colorful motifs.
The contrast between the sober black line and the vivid colors creates a harmonious visual tension.
The fishes seem to inhabit the mind of the character, like floating thoughts or inner dreams.
The work plays on the fusion between the real world and the imaginary, a theme dear to Cocteau.
The gaze, at once interior and exterior, evokes the poet and artist’s double vision.
The composition remains minimalist, yet deeply symbolic.
Cocteau expresses here his taste for myth, the sea and metamorphoses.
Thus this drawing testifies to his unique style, at the crossroads of surrealism and graphic poetry.
This drawing belongs to the graphic universe characteristic of Jean Cocteau, developed mainly between the 1940s and 1960s.
It is a drawing in ink enhanced with colors, typical of his late works. Cocteau often created stylized profiles pierced by symbolic elements — here, decorated fish — a motif recurrent in his work, notably after his settling in the South of France.
The fish is an ancient symbol (Christian, mythological, dreamlike) that frequently appears in his work, in connection with the Mediterranean Sea, particularly in Menton and Villefranche-sur-Mer, where he created a lot. This marine imagery is also found in the frescoes he made, such as those of Saint-Pierre Chapel in Villefranche-sur-Mer (1957).
The style — continuous line, Greek profile, fusion of the face and the inner world — corresponds to his personal graphic language, influenced by surrealism but also by ancient art and the Orphic myth, a central theme of his work.
This drawing stems from Jean Cocteau’s Mediterranean period, where he explores a poetic iconography blending human visage, metamorphosis and marine symbols.
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Jean Cocteau was born on July 5, 1889, in Maisons-Laffitte, France.
A precocious poet, he asserted himself at the beginning of the 20th century as a major figure of Parisian avant-garde.
A complete artist, he explored poetry, theater, novels, drawing and cinema, with notable works such as Beauty and the Beast or Orpheus.
He died on October 11, 1963 in Milly-la-Forêt, leaving a protean body of work that profoundly marked modern art.
Signed Artist Proof, signed, Drawing on thick vellum paper – 27x 32 cm – flat-packed, protected, insured, shipped internationally by FedEx.
Jean Cocteau, “the fish” - Signed Artist Proof. 27x32 cm
Signed Artist Proof, on thick cream art paper, with uneven edges. This drawing by Jean Cocteau embodies the poetry and freedom of his artistic universe.
We recognize his clean, almost instinctive stroke, drawing a human profile of great simplicity.
Inside this face appear stylized fish, richly decorated with colorful motifs.
The contrast between the sober black line and the vivid colors creates a harmonious visual tension.
The fishes seem to inhabit the mind of the character, like floating thoughts or inner dreams.
The work plays on the fusion between the real world and the imaginary, a theme dear to Cocteau.
The gaze, at once interior and exterior, evokes the poet and artist’s double vision.
The composition remains minimalist, yet deeply symbolic.
Cocteau expresses here his taste for myth, the sea and metamorphoses.
Thus this drawing testifies to his unique style, at the crossroads of surrealism and graphic poetry.
This drawing belongs to the graphic universe characteristic of Jean Cocteau, developed mainly between the 1940s and 1960s.
It is a drawing in ink enhanced with colors, typical of his late works. Cocteau often created stylized profiles pierced by symbolic elements — here, decorated fish — a motif recurrent in his work, notably after his settling in the South of France.
The fish is an ancient symbol (Christian, mythological, dreamlike) that frequently appears in his work, in connection with the Mediterranean Sea, particularly in Menton and Villefranche-sur-Mer, where he created a lot. This marine imagery is also found in the frescoes he made, such as those of Saint-Pierre Chapel in Villefranche-sur-Mer (1957).
The style — continuous line, Greek profile, fusion of the face and the inner world — corresponds to his personal graphic language, influenced by surrealism but also by ancient art and the Orphic myth, a central theme of his work.
This drawing stems from Jean Cocteau’s Mediterranean period, where he explores a poetic iconography blending human visage, metamorphosis and marine symbols.
- - - - - - - - - - - - - -
Jean Cocteau was born on July 5, 1889, in Maisons-Laffitte, France.
A precocious poet, he asserted himself at the beginning of the 20th century as a major figure of Parisian avant-garde.
A complete artist, he explored poetry, theater, novels, drawing and cinema, with notable works such as Beauty and the Beast or Orpheus.
He died on October 11, 1963 in Milly-la-Forêt, leaving a protean body of work that profoundly marked modern art.
Signed Artist Proof, signed, Drawing on thick vellum paper – 27x 32 cm – flat-packed, protected, insured, shipped internationally by FedEx.
