Sanlé Sory (1943–2023) - Le cycliste au studio






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
| €151 |
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Description from the seller
Silver print - Signed
Sanlé Sory is a Burkinabé photographer, born in 1943 in Nianiagara in the Republic of Haute-Volta.
Ibrahima Sanlé Sory arrived in Bobo-Dioulasso in 1957. Having become a journalist and photographer, he also creates illustrations for record covers.
He opened his studio, Volta Photo, in 1962, as his country gained independence. He bought a Rolleiflex 6×6 and started by taking identity photographs and road accident photographs for the local police.
Quickly, he gains notoriety in Bobo-Dioulasso, which was then the cultural and economic capital of former Haute-Volta, where young Africans 'eager for modernity' come to 'have their portrait taken.'
Produced between 1960 and 1985, his photographic work testifies to the happiness of a freedom regained and to a social and cultural effervescence unique in its kind.
Exhibitions
2015: African folk art, Regional Fund for Contemporary Art of Bordeaux.
2015: Meeting with African photography, Mérignac media library.
2018: Retrospective, Art Institute of Chicago.
2020: Tête à Têtes - West African Portraiture from Independence into the 21st Century, David Hill Gallery, London.
2020: Bobo Yéyé, Sanlé Sory, Galerie du Château d’Eau, Toulouse.
Photograph accompanied by a certificate of authenticity
Seller's Story
Silver print - Signed
Sanlé Sory is a Burkinabé photographer, born in 1943 in Nianiagara in the Republic of Haute-Volta.
Ibrahima Sanlé Sory arrived in Bobo-Dioulasso in 1957. Having become a journalist and photographer, he also creates illustrations for record covers.
He opened his studio, Volta Photo, in 1962, as his country gained independence. He bought a Rolleiflex 6×6 and started by taking identity photographs and road accident photographs for the local police.
Quickly, he gains notoriety in Bobo-Dioulasso, which was then the cultural and economic capital of former Haute-Volta, where young Africans 'eager for modernity' come to 'have their portrait taken.'
Produced between 1960 and 1985, his photographic work testifies to the happiness of a freedom regained and to a social and cultural effervescence unique in its kind.
Exhibitions
2015: African folk art, Regional Fund for Contemporary Art of Bordeaux.
2015: Meeting with African photography, Mérignac media library.
2018: Retrospective, Art Institute of Chicago.
2020: Tête à Têtes - West African Portraiture from Independence into the 21st Century, David Hill Gallery, London.
2020: Bobo Yéyé, Sanlé Sory, Galerie du Château d’Eau, Toulouse.
Photograph accompanied by a certificate of authenticity
