Robert Doisneau (1912–1994) - "Le baiser"(1950)





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Description from the seller
Rare and magnificent photogravures by the famous photographer Robert Doisneau on the theme of love titled "The Kiss"
Unique copies of one of the most iconic photographs.
Quality: fine art print on thick paper.
Description:
Photogravures on thick paper, stamped and titled.
Author(s): Robert Doisneau
Publisher: Editions Du Désastre
Photo credits: Rapho
Publication: 1990
Condition: Excellent (see photos in detail)
Conservation condition is fantastic considering the year of publication.
Dimensions: 30.2 cm x 24 cm
Frame included
Shipping: Professional, careful and secure packaging with tracking number and insurance via UPS or Colissimo.
Worldwide shipping.
About the artist:
Robert Doisneau (1912 - 1994) is certainly the twentieth century photographer whose images have left the strongest impression, notably his black-and-white photographs of Paris and its postwar suburbs. He is at ease in the street, which he transforms into a sensitive surface, a worthy heir to Eugène Atget (1857-1927) whose images he admires and their “rusticity that defies time.”
Rare and magnificent photogravures by the famous photographer Robert Doisneau on the theme of love titled "The Kiss"
Unique copies of one of the most iconic photographs.
Quality: fine art print on thick paper.
Description:
Photogravures on thick paper, stamped and titled.
Author(s): Robert Doisneau
Publisher: Editions Du Désastre
Photo credits: Rapho
Publication: 1990
Condition: Excellent (see photos in detail)
Conservation condition is fantastic considering the year of publication.
Dimensions: 30.2 cm x 24 cm
Frame included
Shipping: Professional, careful and secure packaging with tracking number and insurance via UPS or Colissimo.
Worldwide shipping.
About the artist:
Robert Doisneau (1912 - 1994) is certainly the twentieth century photographer whose images have left the strongest impression, notably his black-and-white photographs of Paris and its postwar suburbs. He is at ease in the street, which he transforms into a sensitive surface, a worthy heir to Eugène Atget (1857-1927) whose images he admires and their “rusticity that defies time.”

