Ignasi Mundó i Marcet (1918–2012) - Untitled





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Ignasi Mundó i Marcet, Untitled, a contemporary etching in edition 9/46 from the 1990s, measuring 50.5 × 38 cm and depicting a daytime scene, hand-signed, in excellent condition, sold by Galería, España.
Description from the seller
Ignasi Mundó i Marcet (Barcelona, 1918 - 2012)
Trained at the La Lonja School with masters such as Joaquim Mir (1873-1940) and Manolo Hugué (1872-1945), he would continue his training in Paris for a period of three years. In 1946 he would travel to France, Belgium and the Netherlands.
Her first solo exhibition took place at Sala Vinçon in Barcelona in 1944; from 1958 she managed to exhibit at Sala Parés, and between 1968 and 1984 her work was shown at Galería El Cisne.
He has received numerous awards, including the Paris Cézanne Medal (1959), the City of Barcelona Drawing Prize (1966), and the Sant Jordi Award for Painting (1967). Like other artists of his generation, he was a member of the Société Nationale des Beaux-Arts de Paris.
Mundó will develop a painting in the Fauvist tradition, characterized by expressive color. In Mundó's canvases, urban landscapes and portraiture predominate.
Ignasi Mundó i Marcet (Barcelona, 1918 - 2012)
Trained at the La Lonja School with masters such as Joaquim Mir (1873-1940) and Manolo Hugué (1872-1945), he would continue his training in Paris for a period of three years. In 1946 he would travel to France, Belgium and the Netherlands.
Her first solo exhibition took place at Sala Vinçon in Barcelona in 1944; from 1958 she managed to exhibit at Sala Parés, and between 1968 and 1984 her work was shown at Galería El Cisne.
He has received numerous awards, including the Paris Cézanne Medal (1959), the City of Barcelona Drawing Prize (1966), and the Sant Jordi Award for Painting (1967). Like other artists of his generation, he was a member of the Société Nationale des Beaux-Arts de Paris.
Mundó will develop a painting in the Fauvist tradition, characterized by expressive color. In Mundó's canvases, urban landscapes and portraiture predominate.

