E. García - EL OBSERVADOR Y LA FLOR XL






Holds a bachelor’s degree in art history and led modern and contemporary post-war art at Bonhams.
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E. García's original acrylic painting EL OBSERVADOR Y LA FLOR XL, 100 x 70 cm, 2026, signed by hand, in excellent condition, from Spain, weighing 0.6 kg, post-2020 period, depicting a landscape in a Fauvist multicolor palette.
Description from the seller
THE OBSERVER AND THE FLOWER is a 70x100 cm painting by contemporary artist Ernest García. This painting builds a silent dialogue between the eternal and the ephemeral, between petrified matter and the organic life that emerges with obstinacy. The scene, with a clearly metaphysical resonance, places a red rose growing directly from the ground of a deserted square, while a classical head —suspended on the yellow wall— seems to contemplate it in absolute stillness.
Architecture is essential: flat walls, a geometric building in the distance, a deep night sky that contrasts with the warm vibrancy of the dominant yellow. The space recalls the suspended plazas of the metaphysical tradition, where time seems to stand still and the narrative remains open to interpretation. The projected shadow of the flower is drawn clearly on the wall, duplicating its presence and reinforcing the idea of observation, of consciousness, and of reflection.
The sculptural head, of classical inspiration, appears separated from the body, as if it were floating or emerging from the very wall. It does not look directly at the flower, but its orientation suggests contemplation. It represents reason, memory, tradition, the historical gaze. In front of it, the rose embodies what is alive, what is vulnerable, what is transitory. Between the two elements a poetic tension is generated: permanence versus fragility.
On the ground, a branch of thorns runs horizontally through the composition, introducing a line of resistance, warning, or boundary. The beauty of the rose is not exempt from pain. The thorn, extended like a frontier, acts as a reminder that all growth entails risk.
The palette, intense and contrasted, draws from Fauvism in its chromatic audacity: the vibrant yellow of the wall, the deep blue of the sky, the saturated red of the rose. Color does not describe; it asserts. It builds emotion and symbolic structure at the same time.
The work suggests multiple readings: is it culture that observes nature, or is life that questions history? Who is truly the observer? The classical head, devoid of a body, may represent isolated human consciousness, while the flower, rooted in the ground, symbolizes the persistence of desire and beauty in a barren environment.
“The Observer and the Flower” is a piece with strong symbolic charge, where architectural silence and chromatic intensity build a scene of suspended contemplation. A work that articulates, with technical precision and conceptual depth, the encounter between the classical and the vital, between memory and nature.
Authenticity and Shipping
The work is offered directly by E. García, sold (WITHOUT FRAME) guaranteeing its authenticity with a certificate signed by the artist himself. The painting will be carefully rolled and protected inside a sturdy cardboard tube for shipping. After payment is confirmed, a period of three days is required to prepare the piece and send it. Delivery time will depend on the destination, with a maximum of up to ten business days.
THE OBSERVER AND THE FLOWER is a 70x100 cm painting by contemporary artist Ernest García. This painting builds a silent dialogue between the eternal and the ephemeral, between petrified matter and the organic life that emerges with obstinacy. The scene, with a clearly metaphysical resonance, places a red rose growing directly from the ground of a deserted square, while a classical head —suspended on the yellow wall— seems to contemplate it in absolute stillness.
Architecture is essential: flat walls, a geometric building in the distance, a deep night sky that contrasts with the warm vibrancy of the dominant yellow. The space recalls the suspended plazas of the metaphysical tradition, where time seems to stand still and the narrative remains open to interpretation. The projected shadow of the flower is drawn clearly on the wall, duplicating its presence and reinforcing the idea of observation, of consciousness, and of reflection.
The sculptural head, of classical inspiration, appears separated from the body, as if it were floating or emerging from the very wall. It does not look directly at the flower, but its orientation suggests contemplation. It represents reason, memory, tradition, the historical gaze. In front of it, the rose embodies what is alive, what is vulnerable, what is transitory. Between the two elements a poetic tension is generated: permanence versus fragility.
On the ground, a branch of thorns runs horizontally through the composition, introducing a line of resistance, warning, or boundary. The beauty of the rose is not exempt from pain. The thorn, extended like a frontier, acts as a reminder that all growth entails risk.
The palette, intense and contrasted, draws from Fauvism in its chromatic audacity: the vibrant yellow of the wall, the deep blue of the sky, the saturated red of the rose. Color does not describe; it asserts. It builds emotion and symbolic structure at the same time.
The work suggests multiple readings: is it culture that observes nature, or is life that questions history? Who is truly the observer? The classical head, devoid of a body, may represent isolated human consciousness, while the flower, rooted in the ground, symbolizes the persistence of desire and beauty in a barren environment.
“The Observer and the Flower” is a piece with strong symbolic charge, where architectural silence and chromatic intensity build a scene of suspended contemplation. A work that articulates, with technical precision and conceptual depth, the encounter between the classical and the vital, between memory and nature.
Authenticity and Shipping
The work is offered directly by E. García, sold (WITHOUT FRAME) guaranteeing its authenticity with a certificate signed by the artist himself. The painting will be carefully rolled and protected inside a sturdy cardboard tube for shipping. After payment is confirmed, a period of three days is required to prepare the piece and send it. Delivery time will depend on the destination, with a maximum of up to ten business days.
