Pavel Tchelitchew (1898-1957) - La mère Guez






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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Pavel Tchelitchew’s ink drawing titled La mère Guez, an original edition on paper (28 cm × 20 cm), signed by hand and in good condition, produced in France and sold by a private owner or dealer, with a studio stamp on the back.
Description from the seller
This drawing by Pavel Tchelitchew (1898-1957), entitled “La mère Guez,” captures an intimate scene of motherhood where a sturdy woman seems to seize the child by the hair with a firm and brutal grip. This gesture, traced by nervous and multiple lines, heightens a psychic tension: the hand pulls or violently restrains the child’s head against her massive body, turning the embrace into a fusion into an act of domination.
The nervous, multiple, and rapid strokes evoke a preparatory sketch, typical of the artist’s theatrical studies, conveying movement and contained emotion. Placed within his journey from Russian Symbolism to American neo-romanticism, this work condenses his fascination with human affect through ordinary figures.
Pavel TCHELITCHEW (1898 - 1957)
La mère Guez
Ink on paper.
Studio stamp “P. Tchelitchew” on the back
Dimensions: H. 28 cm x W. 20 cm.
The paper is creased and torn at the bottom (see photos)
Provenance:
Marie Tchelitcheff Collection (the artist’s sister) wife of Alexis Zaoussailoff, called Choura.
Through succession: Collection R
Carefully packaged.
This drawing by Pavel Tchelitchew (1898-1957), entitled “La mère Guez,” captures an intimate scene of motherhood where a sturdy woman seems to seize the child by the hair with a firm and brutal grip. This gesture, traced by nervous and multiple lines, heightens a psychic tension: the hand pulls or violently restrains the child’s head against her massive body, turning the embrace into a fusion into an act of domination.
The nervous, multiple, and rapid strokes evoke a preparatory sketch, typical of the artist’s theatrical studies, conveying movement and contained emotion. Placed within his journey from Russian Symbolism to American neo-romanticism, this work condenses his fascination with human affect through ordinary figures.
Pavel TCHELITCHEW (1898 - 1957)
La mère Guez
Ink on paper.
Studio stamp “P. Tchelitchew” on the back
Dimensions: H. 28 cm x W. 20 cm.
The paper is creased and torn at the bottom (see photos)
Provenance:
Marie Tchelitcheff Collection (the artist’s sister) wife of Alexis Zaoussailoff, called Choura.
Through succession: Collection R
Carefully packaged.
