Jean-Claude FARHI (1940-2012) - Carnaval de Nice






Specialises in works on paper and (New) School of Paris artists. Former gallery owner.
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Jean-Claude FARHI, Carnaval de Nice, a lithograph on velin paper, signed and numbered in pencil by the artist, in good condition, 76 × 56 cm, France, from the 1980–1990 period, Édition limitée, sold by Galerie.
Description from the seller
Jean-Claude FARHI (1940-2012): Carnaval de Nice
Original lithograph on vellum paper measuring 75 x 56 cm. Signed and numbered in pencil by the artist.
Work that has never been framed, in good condition.
We provide meticulous packaging, international tracking, insurance, and express shipping for all our deliveries.
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Biography: Jean-Claude Farhi, born February 11, 1940 in Paris and died September 7, 2012 in Monaco, was a French sculptor associated with the École de Nice. His life and work were marked by a diverse artistic career and a constant exploration of materials and forms.
Born in Paris in 1940, Farhi moved to Bogotá, Colombia in 1946, and later settled in Nice in 1957. It was there that he began taking drawing classes at the École des Beaux-Arts Décoratifs of Nice. His military service, partly spent in Algeria from 1960 to 1962, also influenced his work and his perspective on the world.
In Nice, Farhi had the opportunity to meet influential artists of the École de Nice such as Ben, Gilli Alocco, Malaval, as well as figures of the Nouveau Réalisme movement like Arman and Raysse. These encounters allowed him to become acquainted with art critic Pierre Restany, who played an important role in his career.
In the 1960s, Farhi explored various techniques and materials, notably the "Motorcolors," sculptures in Plexiglas and metal. He also collaborated with other notable artists of his time, including César.
From 1968 onward, Farhi mainly concentrated on Plexiglas sculptures, benefiting from support from the Polivar factories. His works included columns, disks, pyramids, and so-called "variable geometry" sculptures. His work evolved into monumental pieces, including his final major sculpture "SECRET POINT," made of corten steel, dedicated to his daughter Domitilla Farhi and installed in Saint-Paul-de-Vence.
Critics praised his innovative approach, describing his sculptures as a "deconstructed constructivism" or a fusion of Art Deco, postmodernism, and futurism. Claude Fournet, then director of the Museums of Nice, highlighted Farhi’s mastery of plastic material as well as his ability to incorporate elements of Futurism and Bauhaus into his work.
Despite his passing in 2012, Jean-Claude Farhi leaves behind a significant artistic legacy, marked by his bold exploration of forms and materials. His family, notably his wife Silvia Farhi and his daughter Domitilla, continue his memory and artistic heritage.
Seller's Story
Jean-Claude FARHI (1940-2012): Carnaval de Nice
Original lithograph on vellum paper measuring 75 x 56 cm. Signed and numbered in pencil by the artist.
Work that has never been framed, in good condition.
We provide meticulous packaging, international tracking, insurance, and express shipping for all our deliveries.
---------------------------------------
Biography: Jean-Claude Farhi, born February 11, 1940 in Paris and died September 7, 2012 in Monaco, was a French sculptor associated with the École de Nice. His life and work were marked by a diverse artistic career and a constant exploration of materials and forms.
Born in Paris in 1940, Farhi moved to Bogotá, Colombia in 1946, and later settled in Nice in 1957. It was there that he began taking drawing classes at the École des Beaux-Arts Décoratifs of Nice. His military service, partly spent in Algeria from 1960 to 1962, also influenced his work and his perspective on the world.
In Nice, Farhi had the opportunity to meet influential artists of the École de Nice such as Ben, Gilli Alocco, Malaval, as well as figures of the Nouveau Réalisme movement like Arman and Raysse. These encounters allowed him to become acquainted with art critic Pierre Restany, who played an important role in his career.
In the 1960s, Farhi explored various techniques and materials, notably the "Motorcolors," sculptures in Plexiglas and metal. He also collaborated with other notable artists of his time, including César.
From 1968 onward, Farhi mainly concentrated on Plexiglas sculptures, benefiting from support from the Polivar factories. His works included columns, disks, pyramids, and so-called "variable geometry" sculptures. His work evolved into monumental pieces, including his final major sculpture "SECRET POINT," made of corten steel, dedicated to his daughter Domitilla Farhi and installed in Saint-Paul-de-Vence.
Critics praised his innovative approach, describing his sculptures as a "deconstructed constructivism" or a fusion of Art Deco, postmodernism, and futurism. Claude Fournet, then director of the Museums of Nice, highlighted Farhi’s mastery of plastic material as well as his ability to incorporate elements of Futurism and Bauhaus into his work.
Despite his passing in 2012, Jean-Claude Farhi leaves behind a significant artistic legacy, marked by his bold exploration of forms and materials. His family, notably his wife Silvia Farhi and his daughter Domitilla, continue his memory and artistic heritage.
