Lou Atmån - Ambre - sans titre 01






Over 35 years' experience; former gallery owner and Museum Folkwang curator.
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Description from the seller
This photograph from the series “Ambre” was created by the artist in 2025. It is offered exclusively on the Catawiki site. It is available as a FineArt Print on Platine Fibre paper. This print embodies the look and feel of the renowned baryta paper paired with pure white, which have made the reputations of the greatest photographers. It is 100% cotton museum-grade paper, delivering deep blacks and exceptional color reproduction. It is particularly well suited to demanding fine art photography. This signed print, 40x32 cm, is part of a limited edition (/25). It comes with a certificate of authenticity.
The artist has exhibited in numerous contemporary art fairs in France and abroad. Her renowned photographic work is held in private collections. She has won international awards, giving her recognition within the art world.
Ambre series:
In a watery ballet, a woman with fiery hair, wearing a diaphanous dress, seems to merge with the blue, luminous wave surrounding her. Each movement, imbued with grace, evokes a nereid dancing in the depths, where mystery and beauty blend. The transparency of her dress traces the water, revealing a delicate sensuality, while the light plays on her silhouette with a subtle and captivating poetry. A suspended scene, between dream and reality, where elegance flirts with eternity.
Lou’s photographs resemble enigmas. Bodies are fragmented, blurred; they reveal themselves or hide, playing with what we know about them to tell something else. But tell what? First of all, impressions: in the Opaline series, the fleeting happiness of an apparition, that of a fragment of solitary landscape stolen from darkness […] What remains of the body is really the erotism of this skin photographed, with a great deal of modesty, like a caress, delicate as a whisper. By becoming only pure form, pure image composition, its surface expresses the invisible that animates it, but refuses to name it. It merely seeks the gaze, this pursuit of the gaze as metamorphosis.
Hannibal Volkoff – curator of the exhibition
This photograph from the series “Ambre” was created by the artist in 2025. It is offered exclusively on the Catawiki site. It is available as a FineArt Print on Platine Fibre paper. This print embodies the look and feel of the renowned baryta paper paired with pure white, which have made the reputations of the greatest photographers. It is 100% cotton museum-grade paper, delivering deep blacks and exceptional color reproduction. It is particularly well suited to demanding fine art photography. This signed print, 40x32 cm, is part of a limited edition (/25). It comes with a certificate of authenticity.
The artist has exhibited in numerous contemporary art fairs in France and abroad. Her renowned photographic work is held in private collections. She has won international awards, giving her recognition within the art world.
Ambre series:
In a watery ballet, a woman with fiery hair, wearing a diaphanous dress, seems to merge with the blue, luminous wave surrounding her. Each movement, imbued with grace, evokes a nereid dancing in the depths, where mystery and beauty blend. The transparency of her dress traces the water, revealing a delicate sensuality, while the light plays on her silhouette with a subtle and captivating poetry. A suspended scene, between dream and reality, where elegance flirts with eternity.
Lou’s photographs resemble enigmas. Bodies are fragmented, blurred; they reveal themselves or hide, playing with what we know about them to tell something else. But tell what? First of all, impressions: in the Opaline series, the fleeting happiness of an apparition, that of a fragment of solitary landscape stolen from darkness […] What remains of the body is really the erotism of this skin photographed, with a great deal of modesty, like a caress, delicate as a whisper. By becoming only pure form, pure image composition, its surface expresses the invisible that animates it, but refuses to name it. It merely seeks the gaze, this pursuit of the gaze as metamorphosis.
Hannibal Volkoff – curator of the exhibition
