MOHAMED ALI ZAMIT - Equilibrio Spezzato

The Acrylic Art According to Mohamed Ali Zamit

Acrylic art, for Mohamed Ali Zamit, is not merely a technique: it is a bridge between ancient roots and contemporary visions. His story begins in Sousse, Tunisia, when a cousin painter — a bright and respected figure in the city — opens the doors of the creative world to him through Arabic script. The elegant curves of the letters, the dance of the strokes, the discipline of the gesture: all of this becomes the first breath of his artistic sensibility.

Over time, however, something changes. Two years ago, acrylic abstracts captured his gaze like an irresistible call. The colors vibrate, clash, and fuse; the shapes do not ask to be understood, but felt. It is a new, free language that imposes no borders. And Mohamed Ali answers that call with enthusiasm, beginning to create his first paintings.

In his works, acrylic becomes alive matter:
- color that pulses, like a freshly born emotion;
- textures that emerge, like memories resurfacing;
- fluid movements, the inheritance of Arabic calligraphy that continues to flow through his hands;
- intense contrasts, a reflection of a personal journey between tradition and modernity.

Each painting is a dialogue between what has been and what is becoming. Acrylic, with its speed, its strength, and its ability to transform, becomes the ideal companion for an artist who has chosen to explore the abstract as a form of freedom.

Thus, Mohamed Ali Zamit’s painting is born: a meeting between the poetry of origins and the audacity of the present, a path that continues to grow, frame after frame, gesture after gesture.

In this painting, Mohamed Ali Zamit explores the complexity of the human soul through the face of a woman divided between two worlds. The left half — bright, vibrant, threaded with vivid colors — represents the beauty born from vitality, hope, and creative energy. The intense tones interweave like emotions in motion, revealing a side of the face that breathes freedom and a desire to express itself.

The other half, wrapped in dark and deep colors, tells what often remains hidden: inner shadows, fears, wounds that do not always find a voice. It is not a darkness that nullifies, but a presence that completes. It is the quiet part of the human being, the one that gives weight, depth, and truth to the light.

The contrast between the two halves is not a clash, but a balance. The woman in the painting lives in the tension between what she shows and what she withholds, between the strength of color and the mystery of the shadow. In this duality, the artist reveals his sensitivity: a continuous dialogue between light and dark, between chaos and harmony, between fragility and power.

The result is a face that is not limited to being seen, but invites interpretation. A face that speaks of all of us.