Jesús Fernández Escobar (1988) - Interface - XL






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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Description from the seller
- Interface (2025). Mixed media on panel with stretcher. 100x100x4 cm. On the panel, a scrap of canvas has been tacked with staples.
- Interface presents the face as an exchange surface: a place where the human and the structural meet without merging. The face appears treated as a plane, chromatically fragmented and delimited by an artificial, almost technical contour that separates it from the dark background.
- Geometry and construction lines traverse the work as if they were layers of information, schemas or coordinates that attempt to translate identity into a rational language. However, the face remains mute: empty eyes and a restrained expression underscore the impossibility of a complete reading.
- The work thus functions as an intermediary space —an interface— between the visible and the hidden, between data and emotion, inviting the viewer to question the mechanisms with which we perceive, interpret and represent what is human in contemporaneity.
- Piece hand-signed by the artist on the painting and on the back.
- Unique edition.
- From a new collection.
- The work is shipped unassembled.
THE ARTIST
Jesús Fernández Escobar, Spain (1988,-).
-ARTISTIC STUDIES
Master in Art (U.Sevilla)
PhD candidate in Art and Heritage (U.Sevilla)
-PRIZES
2017 Mercedes Fernández Contest 2017, Jaén.
2016 Finalist Emilio Ollero 2016, Jaén.
2015 Finalist Emilio Ollero 2015, Jaén.
2015 Finalist Ibercaja Prize 2015. Zaragoza.
2014 1st Prize painting Puerta Segura, Jaén.
2025 Finalist "CARTA PUEBLA" 2025 Ciudad Real
-SELECTION OF EXHIBITIONS
Private collections USA, China, Europe, Mexico, etc.
2020 Vandelvira. Úbeda
2020 Utopia. Morón de la Frontera
2019 La Modelo y Los Artistas. Úbeda.
2018 Art Cuestion Gallery. Madrid.
2018 Línea. Jaén.
2017 ART FAIR MALAGA ’17..Málaga.
2016 Adunanza. Gallery M.A.D, Milan
2012 – present Museo Santa Clara Zafra.
- Interface (2025). Mixed media on panel with stretcher. 100x100x4 cm. On the panel, a scrap of canvas has been tacked with staples.
- Interface presents the face as an exchange surface: a place where the human and the structural meet without merging. The face appears treated as a plane, chromatically fragmented and delimited by an artificial, almost technical contour that separates it from the dark background.
- Geometry and construction lines traverse the work as if they were layers of information, schemas or coordinates that attempt to translate identity into a rational language. However, the face remains mute: empty eyes and a restrained expression underscore the impossibility of a complete reading.
- The work thus functions as an intermediary space —an interface— between the visible and the hidden, between data and emotion, inviting the viewer to question the mechanisms with which we perceive, interpret and represent what is human in contemporaneity.
- Piece hand-signed by the artist on the painting and on the back.
- Unique edition.
- From a new collection.
- The work is shipped unassembled.
THE ARTIST
Jesús Fernández Escobar, Spain (1988,-).
-ARTISTIC STUDIES
Master in Art (U.Sevilla)
PhD candidate in Art and Heritage (U.Sevilla)
-PRIZES
2017 Mercedes Fernández Contest 2017, Jaén.
2016 Finalist Emilio Ollero 2016, Jaén.
2015 Finalist Emilio Ollero 2015, Jaén.
2015 Finalist Ibercaja Prize 2015. Zaragoza.
2014 1st Prize painting Puerta Segura, Jaén.
2025 Finalist "CARTA PUEBLA" 2025 Ciudad Real
-SELECTION OF EXHIBITIONS
Private collections USA, China, Europe, Mexico, etc.
2020 Vandelvira. Úbeda
2020 Utopia. Morón de la Frontera
2019 La Modelo y Los Artistas. Úbeda.
2018 Art Cuestion Gallery. Madrid.
2018 Línea. Jaén.
2017 ART FAIR MALAGA ’17..Málaga.
2016 Adunanza. Gallery M.A.D, Milan
2012 – present Museo Santa Clara Zafra.
