Attila Kovacs (1938) - Composition

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Silvia Possanza
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Selected by Silvia Possanza

Held senior specialist role at Finarte for 12 years, specialising in modern prints.

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Attila Kovács, Composition, 1966, silkscreen on paper in Minimalism, 35 × 35 cm, limited edition unnumbered copy of 230, signed and dated, in excellent condition, with frame, Hungary origin.

AI-assisted summary

Description from the seller

Attila Kovacs: Linear Construction

Medium: Silkscreen
Material: Paper
Dimensions: 28 x 28 cm framed 35 x 35 x 4

Editor: Edition Panderma, Basel
Year: 1966
Signature: Signed and dated
Comes with frame and passepartout

Provenance:
Edition Panderma, Carl Laszlo, Basel
Galerie von Bartha, Basel
Private Collection, Basel

Condition / Restauration:
archival condition, placed on black cardboard (35 x 35 cm)

Further Information:

A rare limited edition of the portable collection of post-war and contemporary art La Lune en Rodage III. This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered) and part of the third serie of the La Lune en Rodage books. La Lune en Rodage was published in three volumes in 1960, 1965 and 1977 containing a total of approximately 180 art pieces which provide an account of the artistic avant-garde scene between the 1950s and 1970s. The art works were gathered by Carl Laslzo and included the greatest artists of the time who contributed with important pieces, often marking a turning point in their production and carriers: Enrico Castellani’s work for example is his first documented graphic work and Piero Manzoni's multiple Achrome is the only one produced by the artist.

Attila Kovács was born in 1938, in Budapest and emigrated to West Germany in 1964. He graduated from the Department of Art at the Staatliche Akademie der Bildenen Künste in 1970. Kovács had many international solo and group shows including a retrospective exhibition at the Kunsthalle Budapest in 1995. He was a senior lecturer of the Painting Department at the Hungarian University of Fine Arts between 1997 and 2010 and in 2001 he became a Doctor of Liberal Arts. In 2010 he moved back to Budapest where he died in 2017.

Between 1964 and 1970 Attila Kovács created a unique artistic language he named “Frame of Reference” or “Transmuting Plasticity”, where he built his own system of non-Euclidean sequential geometric abstraction along mathematical coordinates delineated by the three spatial axes x, y and z, and the time axis t (spacetime).


Seller's Story

Kunstkontor Basel was founded as online art dealership in Basel, Switzerland in 2018. We are focused on Concrete, Constructive and Digital Art spanning avant-garde positions from the 1920s until today. Kunstkontor presents a selection of original prints, multiples and unique works by European artists in collaboration with renowned publishers. Works by artists such Lajos Kassák, Victor Vasarely, Lou Loeber, Lothar Schreyer, Günther Fruhtrunk, Jo Niemeyer, Lars-Gunnar Nordström, Matti Kujasalo, Peter Vogel and many more.
Translated by Google Translate

Attila Kovacs: Linear Construction

Medium: Silkscreen
Material: Paper
Dimensions: 28 x 28 cm framed 35 x 35 x 4

Editor: Edition Panderma, Basel
Year: 1966
Signature: Signed and dated
Comes with frame and passepartout

Provenance:
Edition Panderma, Carl Laszlo, Basel
Galerie von Bartha, Basel
Private Collection, Basel

Condition / Restauration:
archival condition, placed on black cardboard (35 x 35 cm)

Further Information:

A rare limited edition of the portable collection of post-war and contemporary art La Lune en Rodage III. This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered) and part of the third serie of the La Lune en Rodage books. La Lune en Rodage was published in three volumes in 1960, 1965 and 1977 containing a total of approximately 180 art pieces which provide an account of the artistic avant-garde scene between the 1950s and 1970s. The art works were gathered by Carl Laslzo and included the greatest artists of the time who contributed with important pieces, often marking a turning point in their production and carriers: Enrico Castellani’s work for example is his first documented graphic work and Piero Manzoni's multiple Achrome is the only one produced by the artist.

Attila Kovács was born in 1938, in Budapest and emigrated to West Germany in 1964. He graduated from the Department of Art at the Staatliche Akademie der Bildenen Künste in 1970. Kovács had many international solo and group shows including a retrospective exhibition at the Kunsthalle Budapest in 1995. He was a senior lecturer of the Painting Department at the Hungarian University of Fine Arts between 1997 and 2010 and in 2001 he became a Doctor of Liberal Arts. In 2010 he moved back to Budapest where he died in 2017.

Between 1964 and 1970 Attila Kovács created a unique artistic language he named “Frame of Reference” or “Transmuting Plasticity”, where he built his own system of non-Euclidean sequential geometric abstraction along mathematical coordinates delineated by the three spatial axes x, y and z, and the time axis t (spacetime).


Seller's Story

Kunstkontor Basel was founded as online art dealership in Basel, Switzerland in 2018. We are focused on Concrete, Constructive and Digital Art spanning avant-garde positions from the 1920s until today. Kunstkontor presents a selection of original prints, multiples and unique works by European artists in collaboration with renowned publishers. Works by artists such Lajos Kassák, Victor Vasarely, Lou Loeber, Lothar Schreyer, Günther Fruhtrunk, Jo Niemeyer, Lars-Gunnar Nordström, Matti Kujasalo, Peter Vogel and many more.
Translated by Google Translate

Details

Artist
Attila Kovacs (1938)
Sold by
Gallery
Edition
Limited edition
Title of artwork
Composition
Technique
Silkscreen
Signature
Hand signed
Country of origin
Hungary
Year
1966
Condition
Excellent condition
Height
35 cm
Width
35 cm
Style
Minimalism
Period
1960-1970
Sold with frame
Yes
SwitzerlandVerified
3407
Objects sold
100%
protop

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