Post-Impressionist school (XX) - NO RESERVE - Blue Landscape





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Blue Landscape, oil on canvas, 50 × 50 cm, Spain, 1970–1980, sold with frame.
Description from the seller
BLUE LANDSCAPE – FIELDS IN VIOLET TONES
Post-Impressionist School
Oil on canvas
Signed in the lower left corner
Dimensions: 50 × 50 cm
Unframed
1. IDENTIFICATION
1.1. School and style
Work belonging to the post-Impressionist school, with a contemporary interpretation of the landscape through formal synthesis and color dominance.
The treatment of color and the reduction of descriptive detail place the piece in a lineage of late Post-Impressionism and modern landscape painting.
1.2. Technique and support
Oil on canvas.
Application with dense material and visible texture. Areas of impasto and relief are observable, adding surface vibrancy.
The canvas is mounted on a stable wooden frame.
1.3. Signature
Signed in the lower left corner.
The signature is integrated into the pictorial layer, executed with dark green pigment, coherent with the work’s color palette.
1.4. Measurements
50 × 50 cm
Square format, highly valued in contemporary painting for its visual balance and compositional strength.
2. ARTISTIC DESCRIPTION
2.1. Composition
The work depicts a landscape of fields in diagonal perspective, likely evoking lavender fields or crops in bloom.
The bands of land advance toward the horizon along diagonal lines that create dynamic depth.
In the background, soft green and mauve hills are discernible beneath a clear transitional sky.
2.2. Color treatment
Absolute predominance of violets, blues, and purples.
The artist constructs the landscape not from botanical description but from color mass.
Small interventions in intense green and black introduce visual rhythm and contrast.
The use of color is emotional, not naturalistic.
2.3. Material and texture
The surface shows grain and evident relief.
There are accumulations of pigment and tool marks that enrich the tactile reading.
The texture provides contemporaneity and physical presence to the piece.
3. ARTISTIC CONTEXT
3.1. Post-Impressionist heritage
Post-Impressionism solidified the idea of color as an independent structural element of composition beyond realistic fidelity.
In this work, the landscape becomes a chromatic construction where violet dominates the visual experience.
3.2. Modern landscape
The agricultural landscape reinterpreted through intense color has been a recurring theme in European painting of the 20th century.
Formal synthesis and square format reinforce its decorative and contemporary character.
3.3. Visual impact
A work with strong aesthetic presence, ideal for bright spaces or minimalist interiors where color acts as the protagonist.
4. CONDITION REPORT
4.1. Support
Sturdy and stable stretcher.
Canvas properly stretched.
4.2. Painted surface
Good overall condition.
Texture and relief are part of the original technique.
No significant structural losses observed.
4.3. Back
Clean reverse with visible numbering, possibly an inventory or exhibition reference.
Photographs are an essential part of the description.
5. GUARANTEE AND TRANSPARENCY
5.1. Authenticity
Original signed work.
Described according to direct observation of technique and materials.
5.2. Provenance
Private collection.
5.3. Professional commitment
Specialized professional packaging.
Certified and insured shipping.
6. COLLECTOR'S OPPORTUNITY
6.1. Artistic value
A landscape with strong chromatic load and contemporary decorative character.
6.2. Market interest
The square format (50 × 50 cm) is highly sought after in current interior design.
Paintings of fields in violet tones maintain constant appeal due to their visual impact.
6.3. Auction context
A piece balanced between post-Impressionist tradition and modern sensitivity.
Ideal for a collector of contemporary landscapes or for a decorative project with a clearly defined chromatic identity.
Seller's Story
BLUE LANDSCAPE – FIELDS IN VIOLET TONES
Post-Impressionist School
Oil on canvas
Signed in the lower left corner
Dimensions: 50 × 50 cm
Unframed
1. IDENTIFICATION
1.1. School and style
Work belonging to the post-Impressionist school, with a contemporary interpretation of the landscape through formal synthesis and color dominance.
The treatment of color and the reduction of descriptive detail place the piece in a lineage of late Post-Impressionism and modern landscape painting.
1.2. Technique and support
Oil on canvas.
Application with dense material and visible texture. Areas of impasto and relief are observable, adding surface vibrancy.
The canvas is mounted on a stable wooden frame.
1.3. Signature
Signed in the lower left corner.
The signature is integrated into the pictorial layer, executed with dark green pigment, coherent with the work’s color palette.
1.4. Measurements
50 × 50 cm
Square format, highly valued in contemporary painting for its visual balance and compositional strength.
2. ARTISTIC DESCRIPTION
2.1. Composition
The work depicts a landscape of fields in diagonal perspective, likely evoking lavender fields or crops in bloom.
The bands of land advance toward the horizon along diagonal lines that create dynamic depth.
In the background, soft green and mauve hills are discernible beneath a clear transitional sky.
2.2. Color treatment
Absolute predominance of violets, blues, and purples.
The artist constructs the landscape not from botanical description but from color mass.
Small interventions in intense green and black introduce visual rhythm and contrast.
The use of color is emotional, not naturalistic.
2.3. Material and texture
The surface shows grain and evident relief.
There are accumulations of pigment and tool marks that enrich the tactile reading.
The texture provides contemporaneity and physical presence to the piece.
3. ARTISTIC CONTEXT
3.1. Post-Impressionist heritage
Post-Impressionism solidified the idea of color as an independent structural element of composition beyond realistic fidelity.
In this work, the landscape becomes a chromatic construction where violet dominates the visual experience.
3.2. Modern landscape
The agricultural landscape reinterpreted through intense color has been a recurring theme in European painting of the 20th century.
Formal synthesis and square format reinforce its decorative and contemporary character.
3.3. Visual impact
A work with strong aesthetic presence, ideal for bright spaces or minimalist interiors where color acts as the protagonist.
4. CONDITION REPORT
4.1. Support
Sturdy and stable stretcher.
Canvas properly stretched.
4.2. Painted surface
Good overall condition.
Texture and relief are part of the original technique.
No significant structural losses observed.
4.3. Back
Clean reverse with visible numbering, possibly an inventory or exhibition reference.
Photographs are an essential part of the description.
5. GUARANTEE AND TRANSPARENCY
5.1. Authenticity
Original signed work.
Described according to direct observation of technique and materials.
5.2. Provenance
Private collection.
5.3. Professional commitment
Specialized professional packaging.
Certified and insured shipping.
6. COLLECTOR'S OPPORTUNITY
6.1. Artistic value
A landscape with strong chromatic load and contemporary decorative character.
6.2. Market interest
The square format (50 × 50 cm) is highly sought after in current interior design.
Paintings of fields in violet tones maintain constant appeal due to their visual impact.
6.3. Auction context
A piece balanced between post-Impressionist tradition and modern sensitivity.
Ideal for a collector of contemporary landscapes or for a decorative project with a clearly defined chromatic identity.

