Philip Stanton (1962) - Still Life with landscape and watermelon
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Still Life with landscape and watermelon, an oil on canvas painting by Philip Stanton (born 1962) from Spain, dated to 2000–2010, in a Fovismo style, depicting a still life, sold with frame.
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Description from the seller
NATURAL STILL LIFE WITH MARINE LANDSCAPE AND WATERMELON
Philip Stanton (1962)
Oil on canvas
Signed and dated 2002 (on the back)
Canvas measurements: 73 × 60 cm
1. IDENTIFICATION
1.1. Author
Philip Stanton (1962), contemporary British artist based in Barcelona, recognized for his pictorial language with a strong graphic imprint, colorful and symbolic.
His work combines elements of pop, illustration, Naïve art, and modern tradition, shaping compositions of great formal clarity and chromatic power.
1.2. Technique and support
Oil on canvas.
Application of flat color, without impasto, with a satin finish and precise control of tonal transitions.
The surface reveals a clean execution, with structural underlying drawing and sharp delineation of shapes.
1.3. Signature and date
Signed in the lower left corner as Stanton.
On the reverse appears a handwritten inscription: Stanton 2002, confirming chronology.
1.4. Dimensions
Canvas: 73 × 60 cm
Vertical format with balanced proportions, typical of his studio production.
2. ARTISTIC DESCRIPTION
2.1. Composition
The work presents a still life structured by vertical and horizontal axial division, generating four differentiated color fields.
In the center, a blue pedestal table holds:
– A slice of watermelon
– A lemon
– An orange
In the lower left plane appears a sliced apple on stylized grass with small pink flowers.
The background alternates architectural interior and marine landscape with green hills, bi-colored sky, and geometric sun rays.
2.2. Formal language
The forms are condensed into simple geometric volumes.
The table adopts an almost sculptural structure, with circular transparencies evoking overlapped planes.
The landscape is built with pure color bands, without naturalistic gradations.
The central division creates a dialogue between warm/cold, day/dusk, interior/exterior.
2.3. Chromatism
Vibrant and saturated palette:
– Intense oranges
– Ultramarine and turquoise blues
– Emerald greens
– Deep violets
The complementary contrast between blue and orange structures the main visual tension.
3. HISTORICAL AND ARTISTIC CONTEXT
3.1. Stylistic framework
The work is situated within Philip Stanton’s personal language, where classical still life is reinterpreted from a contemporary sensibility close to pop and symbolic illustration.
The use of geometric partitioning connects with Cubist and constructive traditions, though from a more playful and narrative perspective.
3.2. Iconography
Fruit — a traditional symbol of abundance and sensuality — becomes here a graphic, almost iconic element.
The marine landscape introduces conceptual depth: interior and exterior coexist on the same pictorial plane.
3.3. Artistic interest
The work stands out for its balance between compositional clarity and chromatic richness.
Representative example of his early-2000s production.
4. CONDITION REPORT
4.1. Support
Canvas in good structural condition.
Stretcher firm and stable.
4.2. Painted surface
Excellent condition.
No visible losses or significant craquelure.
Vivid colors and well preserved.
4.3. Frame
Contemporary decorative frame included.
Photographs are an essential part of the description.
5. GUARANTEE AND TRANSPARENCY
5.1. Authenticity
Original work by Philip Stanton (1962).
Signed and dated 2002.
5.2. Provenance
Private collection.
5.3. Professional commitment
Description prepared under technical and comparative criteria.
Professional packaging for canvas painting and insured certified shipment.
6. COLLECTING OPPORTUNITY
6.1. Artistic value
Representative work of the artist’s coloristic and geometric language.
6.2. Market interest
Philip Stanton maintains an active presence in the Spanish contemporary market.
Works signed and dated from the early 2000s show growing interest within his career.
6.3. Auction context
Decorative and conceptual piece, balanced between graphic modernity and the tradition of still life.
Ideal for a contemporary collection or vibrant, current interior design.
Seller's Story
At Barcelona Art Gallery, we are a large family of art collectors in Barcelona who have been acquiring all kinds of paintings for 2 centuries.
Headquartered in the Les Corts neighborhood of Barcelona.
We offer part of our private collection for auction: high period and modern paintings that we have been acquiring over time, mainly from art galleries, antique dealers, auctions, private collections and very diverse origins.
Translated by Google TranslateNATURAL STILL LIFE WITH MARINE LANDSCAPE AND WATERMELON
Philip Stanton (1962)
Oil on canvas
Signed and dated 2002 (on the back)
Canvas measurements: 73 × 60 cm
1. IDENTIFICATION
1.1. Author
Philip Stanton (1962), contemporary British artist based in Barcelona, recognized for his pictorial language with a strong graphic imprint, colorful and symbolic.
His work combines elements of pop, illustration, Naïve art, and modern tradition, shaping compositions of great formal clarity and chromatic power.
1.2. Technique and support
Oil on canvas.
Application of flat color, without impasto, with a satin finish and precise control of tonal transitions.
The surface reveals a clean execution, with structural underlying drawing and sharp delineation of shapes.
1.3. Signature and date
Signed in the lower left corner as Stanton.
On the reverse appears a handwritten inscription: Stanton 2002, confirming chronology.
1.4. Dimensions
Canvas: 73 × 60 cm
Vertical format with balanced proportions, typical of his studio production.
2. ARTISTIC DESCRIPTION
2.1. Composition
The work presents a still life structured by vertical and horizontal axial division, generating four differentiated color fields.
In the center, a blue pedestal table holds:
– A slice of watermelon
– A lemon
– An orange
In the lower left plane appears a sliced apple on stylized grass with small pink flowers.
The background alternates architectural interior and marine landscape with green hills, bi-colored sky, and geometric sun rays.
2.2. Formal language
The forms are condensed into simple geometric volumes.
The table adopts an almost sculptural structure, with circular transparencies evoking overlapped planes.
The landscape is built with pure color bands, without naturalistic gradations.
The central division creates a dialogue between warm/cold, day/dusk, interior/exterior.
2.3. Chromatism
Vibrant and saturated palette:
– Intense oranges
– Ultramarine and turquoise blues
– Emerald greens
– Deep violets
The complementary contrast between blue and orange structures the main visual tension.
3. HISTORICAL AND ARTISTIC CONTEXT
3.1. Stylistic framework
The work is situated within Philip Stanton’s personal language, where classical still life is reinterpreted from a contemporary sensibility close to pop and symbolic illustration.
The use of geometric partitioning connects with Cubist and constructive traditions, though from a more playful and narrative perspective.
3.2. Iconography
Fruit — a traditional symbol of abundance and sensuality — becomes here a graphic, almost iconic element.
The marine landscape introduces conceptual depth: interior and exterior coexist on the same pictorial plane.
3.3. Artistic interest
The work stands out for its balance between compositional clarity and chromatic richness.
Representative example of his early-2000s production.
4. CONDITION REPORT
4.1. Support
Canvas in good structural condition.
Stretcher firm and stable.
4.2. Painted surface
Excellent condition.
No visible losses or significant craquelure.
Vivid colors and well preserved.
4.3. Frame
Contemporary decorative frame included.
Photographs are an essential part of the description.
5. GUARANTEE AND TRANSPARENCY
5.1. Authenticity
Original work by Philip Stanton (1962).
Signed and dated 2002.
5.2. Provenance
Private collection.
5.3. Professional commitment
Description prepared under technical and comparative criteria.
Professional packaging for canvas painting and insured certified shipment.
6. COLLECTING OPPORTUNITY
6.1. Artistic value
Representative work of the artist’s coloristic and geometric language.
6.2. Market interest
Philip Stanton maintains an active presence in the Spanish contemporary market.
Works signed and dated from the early 2000s show growing interest within his career.
6.3. Auction context
Decorative and conceptual piece, balanced between graphic modernity and the tradition of still life.
Ideal for a contemporary collection or vibrant, current interior design.
Seller's Story
At Barcelona Art Gallery, we are a large family of art collectors in Barcelona who have been acquiring all kinds of paintings for 2 centuries.
Headquartered in the Les Corts neighborhood of Barcelona.
We offer part of our private collection for auction: high period and modern paintings that we have been acquiring over time, mainly from art galleries, antique dealers, auctions, private collections and very diverse origins.
Translated by Google TranslateDetails
Artist
Philip Stanton (1962)
Sold with frame
Yes
Sold by
Gallery
Edition
Original
Title of artwork
Still Life with landscape and watermelon
Technique
Oil painting
Signature
Hand signed
Country of origin
Spain
Condition
Excellent condition
Height
90 cm
Width
75 cm
Weight
9 kg
Depiction/theme
Still life
Style
Fauvism
Period
2000-2010
Sold by
