Pablo Palazuelo (1927-2003) - Sigilla

Pablo Palazuelo’s lithograph (* 1927 † 2003. Madrid) titled “Sigilla”
This work belongs to the series "Emblema", created by Palazuelo in 1980.
Signed on the plate by the artist.
Printed by Maeght. Printed by Arte París * Edition Sold Out *
Made on high-grade Arches paper, with its characteristic watermark.
Includes Certificate of Authenticity (COA).

*** LAST COPIES ***

Dimensions: 80 x 58 cm
Year: 1980
Edition: 3000 copies
Condition: Excellent (this work has never been framed or exhibited, and has always been kept in a professional art folder, so it remains in perfect condition).
Provenance: Private Collection.

The work will be carefully handled and packed in reinforced cardboard packaging. Shipping will be by trackable insured service.

The shipment will also include transport insurance for the final value of the work with full reimbursement in case of loss or damage, at no cost to the buyer.

(*) Pablo Palazuelo studied architecture in Madrid and at the Royal Institute of British Architects in Oxford. From 1939 he dedicated himself exclusively to painting. After briefly cultivating a neocubist style in the wake of Picasso and Braque, he began to take an interest in the works of sculptors such as Naum Gabo and Anton Pevsner and in the painting of Paul Klee, which influenced him deeply.
His early abstract drawings were based on the observation of natural structures, such as snow crystals, microscopic examinations of cells, or aerial photographs; the search for geometric structures and their mathematical proportions would characterize Palazuelo’s work throughout his career.
In 1948 he settled in the Spanish Pavilion at the City of Paris University, where he met Chillida.
His first solo exhibition took place at the Maeght Gallery in Paris in 1955. Subsequently he exhibited in the major European and American museums, such as the Guggenheim in New York, the Carnegie International in Pittsburgh, or the Modern Art Museum of the City of Paris.
In 1954 he began to develop a sculptural facet that reached its peak in the 1970s. Over time, his geometry began to acquire greater dynamism and flexibility, and his rhythm sped up: the fragmentation produced on the surface creates an entire grid of straight and broken lines and a crystallization structure emerges.
In 1969 he returned to Spain, where he established his final studio. He was awarded the Gold Medal for Fine Arts in 1982. In 2004 he received the Velázquez Prize from the Spanish Ministry of Culture.