Jean-Guy Caumeil (1945–2018) - Céline au cube 3






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
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Description from the seller
The proposed photograph is titled "Céline in the Cube 3".
It is an art print on Fujifilm Museum Crystal DP II professional photo paper.
Dimensions 30x40 without margins.
Limited edition of 10 prints, print 3/10, unframed.
Signed by the author on the back and hand-numbered.
New print freshly produced in the studio.
Studio du Trident, 1 rue Vial 42000 Saint-Étienne, France
The certificate of authenticity will be emailed.
Jean-Guy Caumeil, photographer, still alive, from Saint-Étienne, France. Creator of Studio du Trident.
The author develops a style he describes as minimalist; little or no decor or accessory, the essence lies in capturing an emotion in the model’s posture or gaze. He seeks to strip the scene so that the sign (punctum) is perceived and guides the reader toward the meaning the reader will give to the photo themselves. Photography is not a story nor a pre-established meaning to be seen. Photography tells nothing, does not advocate, does not deliver a message, does not impose a point of view. Photography is a gift that allows the reader to tell their own story, to advocate, and to read their message.
The work of light is crucial for him, as is the complicity with the model. In this minimalist vein, in 2015 he began a sustained, non-exclusive collaboration with a single model.
The proposed photograph is titled "Céline in the Cube 3".
It is an art print on Fujifilm Museum Crystal DP II professional photo paper.
Dimensions 30x40 without margins.
Limited edition of 10 prints, print 3/10, unframed.
Signed by the author on the back and hand-numbered.
New print freshly produced in the studio.
Studio du Trident, 1 rue Vial 42000 Saint-Étienne, France
The certificate of authenticity will be emailed.
Jean-Guy Caumeil, photographer, still alive, from Saint-Étienne, France. Creator of Studio du Trident.
The author develops a style he describes as minimalist; little or no decor or accessory, the essence lies in capturing an emotion in the model’s posture or gaze. He seeks to strip the scene so that the sign (punctum) is perceived and guides the reader toward the meaning the reader will give to the photo themselves. Photography is not a story nor a pre-established meaning to be seen. Photography tells nothing, does not advocate, does not deliver a message, does not impose a point of view. Photography is a gift that allows the reader to tell their own story, to advocate, and to read their message.
The work of light is crucial for him, as is the complicity with the model. In this minimalist vein, in 2015 he began a sustained, non-exclusive collaboration with a single model.
